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Cellist Vincent Bélanger launches his new audiophile label, VBMP, with “Solange”, the label’s first ever release, available on CD, hi-res, and LP formats.
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Frank Doris takes a look at the revealing new book, Buzz Me In: Inside the Record Plant Studios, which has some real rock and roll stories.
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Frank Doris gives more worthy tips about the business of playing music for an audience, this time about looking the part. You won’t believe what his #1 tip is.
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South Korea’s Mon Acoustic ditches hype for honesty, crafting AMT-equipped speakers in aluminum shells to deliver pure, uncolored sound now making waves in North America.
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In this first fall installment, writer Rudy Radelic is featuring a comparison, some winners, a major disappointment, and a handful of other notable titles he’s found.
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John Mayall’s last show took place on March 26, 2022, at The Coach House in San Juan Capistrano, California. This performance marked the end of a remarkable 65-year touring career. During this final concert, Mayall, who was 88 years old, performed with his band, which included Greg Rzab on bass, Jay Davenport on drums, and…
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Is the Eversolo DMP-A8 truly the best streamer under $2000? Find out in Jay’s Iyagi’s latest video review!
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BROADENING OUR HORIZONS We’re excited to announce that PMA Magazine is broadening its horizons! Starting now, PMA will, along with its written content, offer a platform for a diverse range of podcasts. Our first feature is an engaging series hosted by the multi-talented Jay Jay French of Twisted Sister fame. This new feature aligns with…
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In Part 4 of this series, Gilles Laferrière defends high-end audio cabling against skeptics, citing top studios and engineers—like Bob Ludwig and Kevin Gray—who rely on premium cables to achieve superior sound quality.
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Dragged along to T.H.E. Show by chance, Jonson Lee’s wife — a professional pianist — helped crown Heavenly Soundworks’ active speakers as the event’s best, praising their astonishing clarity and bass, all powered by just a $500 streamer.
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Jay Jay French recalls funding his first hi-fi with pot money, trashes a Dylan concert, and champions budget gear that “sniffs cocaine like it’s Jaws”—all while slowly, skeptically courting jazz.
