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Tom Gibbs falls in love with vacuum tubes from Ray Tubes, comparing their sound to that of much more expensive NOS ones.
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Robert Schryer shares juicy details about his evening with Focal’s new Diva Utopia speaker.
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I set out to pinpoint which signal cables offer the biggest sonic gains, but instead ran into resistance from AudioQuest’s Bill Low and Audience’s John McDonald, who questioned the premise itself and steered the discussion into deeper philosophical territory.
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Writer Rudy Radelic recommends a dozen great-sounding albums to play at audio show exhibits. Exhibitors, are you paying attention?
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Frank Doris gives more worthy tips about the business of playing music for an audience, this time about looking the part. You won’t believe what his #1 tip is.
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Joni Void’s Jean Néant returns with Every Life Is A Light, their most tranquil album yet—shaped by La Lumière Collective’s creative hub and deep-rooted collaborations. Featuring field recordings, personal tributes, and sonic nods to film, the album blurs lines between documentary and music.
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Reviewer Doug Moore finds the Atoll IN300’s warmth, clarity, and punch impressive—and predicts it will make a serious dent in the audiophile world thanks to its smart design and power.
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Shanling’s Onix Zenith XST20 defies digital dominance, making disc playback a tactile ritual with SACD support, top-loading elegance, and unmatched I2S connectivity.
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Steven Stone rounds up three ultra-budget audio components—the Fosi ZD3 DAC, iFi Zen Phono 3, and FX Audio R07Plus—that rival gear costing far more. After blind tests and strategic upgrades, Stone finds the ZD3 indistinguishable from elite DACs, the Zen Phono nearly noise-free, and the R07Plus a neutral powerhouse across headphones.
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While the world argues over streaming platforms and sound quality, one billionaire vanished into orbit to hear music unburdened by gravity. No tech shared, no guests allowed.
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A devoted audiophile explains to his nephew that marriage, like a sound room, needs clear boundaries and the right match—get it wrong, and everything falls out of tune.
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Rob Schryer and his photographer sidekick Karim Sénoussi spend a jazzy afternoon at 2xHD Fidelio, where René Laflamme pushes audio boundaries with vintage gear to capture raw musical emotion.
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Robert Schryer puts DR Acoustics’ Polynice power distributor and its cables to the test, uncovering how their innovative designs tackle noise and improve clarity, detail, and soundstaging.
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The Montreal Audiofest is hoping to inspire newer generations with Teen Audio Day, the Audiogirls room, and a mentorship program offering free gear to young enthusiasts. With events like the Musical Wine Tour and Prohibition Night, the goal is to make high-fidelity audio fun, welcoming, and exciting for everyone.
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March 1, 1994. Terminal 1, Munich, Germany. A venue repurposed from an old airplane hangar, with the kind of acoustics that make you wonder if the building itself was trying to sabotage the show. The sound was off. The energy was drained. And Kurt Cobain, visibly unwell, delivered what would unknowingly become Nirvana’s last performance.…
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Jonson claims he’s off the audio gear merry-go-round. His wife and son don’t believe him, but this time he insists it’s real. After 20 years of perfecting the “gear game” and the “room game,” Jonson is now turning his focus to the elusive “mind game”—the deeply personal aspect of audio shaped by perception and mental…
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Scientists at USC found that the brain “turns up the volume” in response to hearing loss, a mechanism that may explain tinnitus and sound sensitivity disorders—now, researchers are exploring treatments to dial down this overcompensation.
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Save your souls!… Black Sabbath leads the way in this latest history lesson in the roots of hard rock and heavy metal.
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A new study reveals that low-frequency sounds, notably 63 Hz bass, can cause widespread hearing loss. Bass waves forcefully penetrate the cochlea and bypass earplugs via bone conduction, severely undermining traditional hearing protection.
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Frank Doris offers tips on what to do and not do once you’ve made it to the big stage.