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Amid downsizing frustrations, Rudy Radelic purges vinyl, CDs, and old gear—while still finding joy in standout reissues from Cal Tjader, Horace Silver, Donald Byrd, and Quincy Jones, plus long-awaited news on Buckingham Nicks.
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Frank Doris lays bare the gritty reality of gig pay—from $25 farmers’ markets to $250K arena tours—exploring tips, contracts, tribute bands, and the financial tightrope musicians walk to keep the music playing.
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Howard Milstein takes the Allnic Audio A-2000 Mk3 tube power amplifier out for a test drive and discovers how powerful it is.
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Rudy Radelic dives into the roots of 12-inch singles, spotlighting Tom Moulton’s remix innovations, promo-only rarities from Earth, Wind & Fire, and Bryan Adams’ chipmunk-voiced debut that he’s tried to forget.
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Frank Doris discovers his system’s sound had subtly worsened—until a corroded breaker, a house-wide power mystery, and an unexpected speaker tweak revealed what was really going on.
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Despite identical measurements, amplifiers can sound different. This article unpacks how output impedance—especially in tube vs. solid-state amps—alters tone through speaker interaction, challenging the “if it measures the same, it sounds the same” myth.
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Mitsubishi’s Diatone D-160, a 1.5-ton subwoofer from the 1980s, defied all logic with a 63-inch carbon-fiber cone and a 400-kilogram field coil, turning every note into a seismic event.
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Doug Moore puts the Schiit Magni Unity headphone amplifier and HIFIMAN Arya Stealth headphones through their paces and comes out with some interesting observations.
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Frank Doris recounts wild gig disasters—sick performances, broken gear, flaming hair, hostile crowds, and forgotten sets—in a brutally funny look at the mayhem musicians endure onstage.
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The ultimate Shanling ET3 guide—every feature, flaw, and forum opinion dissected. From CD playback to I²S and upsampling, this is the most complete ET3 breakdown you’ll find anywhere.
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Kevin Fielding offers a step-by-step guide to taming first reflections and giving you the best soundstage you’ve ever had.
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Robert Schryer meets René Evans of Saturn Audio, where high-end sound doesn’t mean expensive.
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Frank Doris gives more worthy tips about the business of playing music for an audience, this time about looking the part. You won’t believe what his #1 tip is.
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Rob Schryer and his photographer sidekick Karim Sénoussi spend a jazzy afternoon at 2xHD Fidelio, where René Laflamme pushes audio boundaries with vintage gear to capture raw musical emotion.
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Monitor Audio’s $5199/pair Gold 100 6G standmounts impressed Robert Schryer with their weight, luxurious finish, and superb clarity. With deep bass, rich detail, and effortless musical flow, they felt complete—no sub needed.