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On September 20, 1992, Pearl Jam’s “Drop in the Park” concert at Seattle’s Magnuson Park etched itself into rock history, not only for its music but for a death-defying stunt by frontman Eddie Vedder. This free concert was a celebration of the band’s rapid ascent following the success of their debut album, Ten, which featured…
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Fezz Audio’s Mira Ceti 300B combines luxurious design by award-winning Kabo & Pydo with rich, refined tube sound—at a shockingly fair price. Pair it with the right speakers and prepare to be spellbound.
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Despite loving both analogue and digital, Tom Gibbs affirms LP’s supremacy—yet with DSD 512 and upgraded Audio Art Cables, digital playback is now rivaling tape and vinyl in clarity, nuance, and musical realism.
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From vintage Western Electric to modern marvels like YG Acoustics and MBL, the 2024 Seoul Audio Show dazzled with sonic spectacle and local flair—proving South Korea’s audiophile scene is booming and deeply passionate.
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Kevin Fielding wraps up his subwoofer integration series by tackling time alignment and five crossover strategies—ultimately finding that running speakers full range with a gentle subwoofer slope yields the most musically satisfying results.
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Frank Doris interviews Nick Getz, son of sax legend Stan Getz, and Abey Fonn of Impex Records, about the new Getz/Gilberto LP reissue of the bossa nova classic.
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The PS Audio AirLens Network Streamer is building a huge following. This review explains why.
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From quantum stickers to $485 knobs, this cheeky exposé unpacks the HiFi world’s most bizarre tweaks—where pseudo-science meets audiophile obsession, and placebo often sounds just as sweet as proof.
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“Not only is this double-LP compilation outstanding in sound, it is also excellent musically and performance-wise—surprisingly so, perhaps, given the poor history of audiophile-oriented releases.”
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Once dismissed as a passing fad, surround sound is staging a comeback—with streaming giants offering immersive content and home tech better than ever, it may finally be time to rejoin the multichannel revolution.
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With a new LA show planned at T.H.E. Show’s longtime venue, just days after its Vegas edition, tensions rise as organizers clash over dates—reviving questions about industry cooperation and competitive respect.
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Prices listed in CA$. If there had been an award given out at the Audiofest for “Most Vintage-Looking Component”, the Fyne Classic Fifteen speakers ($50,000/pr) in the Villeneuve Audio Vidéo / Marchand Audio Vidéo room probably would have won it. The design is a point-source system whereby a bass/midrange cone is coupled to a high…
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Prices listed in CA$. Gorgeous finish! That’s what I screamed inside my head when I first saw the standmount Apertura Forté speakers ($9999/pr) in the Innuos / Asona Ltd room. The Forté’s have a high 93db sensitivity thanks in part to the neodymium magnet circuit used in its two 18 cm mid/woofer drivers. Atypically, both…
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Seldom does an LP’s visual presentation rival the artistry of its music. Having seen the orchestra this past weekend at the Maison Symphonique in Montréal, where the album was recorded, I can attest that the quality of the recording matches the live presentation. In fact, the only thing that’s missing from the album is the…
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Prices listed in CA$. I heard a classical orchestral piece in the Audio Note UK room (I will tell you what it was later) and noticed three things: 1. Timpani sounded like an explosion instead of a real timpani2. Decays sounded like an applied reverb instead of natural hall ambience3. The instruments sounded all over…
