As Thomas explained his relationship with audio to me: ‘I have that problem—when I become obsessed with something, I’m obsessed.’
Heaven 11’s Itai shakes up audio norms with the Billie amp, blending class-D power and tube charm. Robert Schryer interviews the designer.
Robert Schryer dives into Bruno Putzeys’ claim that class-A amps have stagnated, with only Nelson Pass responding to defend class-A in this heated debate.
I go every year to the Montreal International Jazz Festival—I love it. But if you don’t like crowds, or you don’t mind them and just like to go to outdoor music festivals in general, might I suggest a visit to Festi Jazz Mont-Tremblant, a smaller, cozier, more laid-back version of its Montreal cousin.
A couple of years ago, a designer of high-end tube equipment said something to me that left such an impact it eventually led me, now that the conditions seem right, to write this article. That mind-bomb was set off when I asked the designer if he’d ever consider making a class-AB amp. Shaking his head,…