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Mutine’s Pascal Ravach shares his philosophy on how to listen—and how to find a system that helps you achieve the ultimate connection—with music, but also with life.
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Jonson Lee finds this year’s SoCal T.H.E. Show more varied than ever, with standout rooms from Legacy, Audio Note, and Rockport—plus a surprising mix of excellence from Popori, Boenicke, and SVS.
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Unveiled at High End Munich 2025, the Eversolo Play blends DAC, amp, and streaming in one sleek unit, challenging hi-fi excess with minimalist elegance and room-tuned performance.
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Writer Rudy Radelic recommends a dozen great-sounding albums to play at audio show exhibits. Exhibitors, are you paying attention?
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Frank Doris gives more worthy tips about the business of playing music for an audience, this time about looking the part. You won’t believe what his #1 tip is.
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Classical music critic Pierre Dallaire offers a selection of recent recordings that offer a fitting tribute to Gabriel Fauré on the centenary of his death.
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Paul Whitehead, the artist behind Genesis’ album covers, reflects on his iconic work and creative journey. Alter egos, the Borg Symphony, live concert paintings, and his ever-evolving artistry continue to define his innovative spirit.
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Paris’ jazz kissa-inspired bars like Listener and Bambino blend high-fidelity sound, vinyl culture, and refined design, redefining nightlife for audiophiles.
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Can pop music compete with classical’s sonic precision? Jonson Lee delves into recording techniques that make classical music a benchmark for audiophiles seeking pure sound.
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November 21, 1955, wasn’t just another Monday. For Elvis Presley, it was the day a $35,000 contract (equivalent to $400,000 in 2024) pulled him out of a regional spotlight and thrust him onto the global stage. RCA Records, sensing that the young singer from Tupelo, Mississippi, was more than just a passing trend, purchased his…
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Eighty-four years ago, Disney released Fantasia, and the world would never look at animated films—or hear classical music—the same way again. November 13, 1940, marked the debut of a cinematic experiment so ambitious it might’ve seemed crazy at the time. A cartoon? Sure. But a cartoon with no dialogue, featuring Bach, Beethoven, and Stravinsky? This…
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In the cold, metallic Liverpool air of November 9, 1961, a moment was brewing in the dank, sweaty underbelly of The Cavern Club that would soon send shockwaves across the music world.
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Berlin’s hi-fi bar scene is booming—Anima, Bar Neiro, Rhinoçéros, Unkompress, and Bankert Vinyl Café each offer a unique blend of audiophile sound and hospitality, from vintage vinyl purity to immersive listening sessions by the Spree.
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The Aztec death whistle’s shriek is more than eerie novelty—it’s an echo of war, ritual, and spirit. This bone-chilling instrument, once wielded by warriors and priests, still commands awe with every primal, piercing scream.
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T.H.E. Show 2024 delivered standout moments—from AGD’s immersive orchestral realism and Margules’s dynamic warmth to PBN’s jaw-dropping power and finesse, which earned this year’s “Best of Show” nod from a well-sated reviewer.