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An Interview with André Perry, legendary record producer and founder of the fabled Le Studio, Part 1
In this wide-ranging interview, Le Studio founder André Perry reflects on his journey from teenage drummer to recording legend, recounting sessions with icons like Rush and Bowie, the rise of his trailblazing woodland studio, and his enduring passion for sonic excellence.
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From the alien curves of B&W’s Nautilus to the surreal sculpture of Living Voice’s Vox Olympian, today’s boldest loudspeakers blur the line between high art and hi-fi, where acoustic perfection meets unapologetic eccentricity.
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Celebrating a decade of hi-res streaming, Bluesound’s Node X updates the iconic Node with a THX headphone amp, ESS Sabre DAC, and HDMI eARC—earning high praise for its stellar BluOS interface and sub-£1000 performance.
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Caught between honesty and harmony, Guild president Jim Tonne navigates tricky audio evaluations and acoustics advice with wit, a spectrum analyzer, and a firm belief in room treatment—despite the inevitable aesthetic compromises.
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Dr. Poochini leads a howling revolution as dogs take over high-end audio critique, with Paw Ratings dethroning human audiophiles—because golden retrievers do have golden ears.
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With cooler months inviting longer listening sessions, this seasonal hi-fi checklist—ranging from vinyl care and NAS backups to speaker tweaks and cable swaps—offers practical tips to refresh your system and elevate your sound.
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With “Aventine,” Agnes Obel crafts hauntingly intimate piano-led compositions of rare precision and emotional depth—each track a self-contained world, rendered in minimalist perfection and captured in audiophile-grade sound.
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Doug Moore dives deep into Zu Audio’s Soul 6, praising its bold, crossover-free design and immersive midrange—while noting some setup quirks and bass limitations that may vary with room and taste.
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Streaming may rule, but this $2K system—featuring Cambridge’s AXR100 amp and AXC35 CD player, Pro-Ject’s T1 turntable, and Wharfedale Diamond 12.2 speakers—proves that physical media still delivers musical magic with detail, warmth, and soul.
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Though never chart-toppers, Little Feat’s Sailin’ Shoes and Dixie Chicken—now reissued in deluxe remastered editions—prove that Lowell George’s fearless genre-melding vision still grooves with undiminished charm 50 years on.
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John Gish’s Garden District home hosts a mind-blowing, museum-worthy high-end audio system featuring 6-foot German speakers, 30,000 LPs, and 20,000 films—making it part private concert hall, part cinema, and all passion project.
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The second part of this insightful series explores how Aversions, Desires, and Expectations subtly sabotage our music enjoyment—arguing that true listening begins only when we quiet the critical voice in our head.
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Reflecting on his first Fillmore East show in 1968, Twisted Sister’s Jay Jay French recalls how Canned Heat’s Henry Vestine provided the inspiration he needed—a blue-collar blues guitarist whose tone and style were accessible enough to emulate and transformative for a budding player.
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Iron Maiden’s Senjutsu earns an 8/10 from a loyal fan who praises Bruce Dickinson’s vocals and the fresh sound of “The Writing on the Wall,” but criticizes the album’s dragging length, flat production, and familiar formulas.
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Rob Schryer kicks off PMA’s new Killer Audio Products column by spotlighting five standout components—from Silent Angel’s network-enhancing switch to Gustard’s game-changing DAC and master clock—that deliver high-end sonic magic at mid-tier prices.
