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“The new TAD-C700 incorporates a slew of technical refinements and enhancements to achieve a new level of performance, replacing TAD’s previous top-of-the-line TAD-C600 released in 2011.”
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Frank Doris interviews Nick Getz, son of sax legend Stan Getz, and Abey Fonn of Impex Records, about the new Getz/Gilberto LP reissue of the bossa nova classic.
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Record Store Day 2024 spins into action with exclusive releases from Elton John, Frank Zappa, Queen, and the Pixies, as vinyl lovers worldwide celebrate analog culture, indie shops, and community-centered music discovery.
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Denied her rightful place for decades, Antonia Brico shattered classical music’s gender barriers—from her Berlin Philharmonic debut to mentoring Judy Collins—becoming a pioneering maestra whose legacy still resonates through concert halls and classrooms.
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In a hidden alley of audio dreams, the Sonic Sommelier pairs silence with symphony, punk with Soviet TVs, and sound with soul—reminding us that true listening is an art.
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The LSX ll LT is the newest addition to the award-winning LS Collection
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It Could Only Happen HereUn film sur le Festival de musique émergente (FME) Premier long métrage de Stephan BoissonneaultCinémathèque québécoise – Montréal19–24 JANV 2024 Durée : 74 minutesEn anglais avec sous-titres françaisGenre : Musique, Documentaire, Histoire Découvrez le « secret le mieux gardé du Québec ». It Could Only Happen Here est un documentaire DIY…
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Taylor Swift’s re-recording of 1989 (Taylor’s Version) isn’t just a chart-topping triumph—it’s a defiant, billion-dollar victory over an industry that tried to control her, solidifying her as pop’s most powerful force.
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A fiery Facebook debate ignited over Herb Reichert’s claim that Hegel’s Viking CD player outperformed streamed files, reigniting the clash between “bits are bits” objectivists and subjectivists who trust their ears over theory.
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Michael Jackson’s ‘Thriller’ is not just a record-breaking album; it’s a treasure chest of intriguing stories and hidden gems. To celebrate its 41st anniversary, here are some of the lesser-known facts that add layers to the legend of ‘Thriller’. In the annals of music, Thriller stands as a testament to innovation, talent, and the magic…
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On November 25, 1976, The Band took the stage at San Francisco’s Winterland Ballroom for what would be their final performance, an event that would come to be known as “The Last Waltz.” This concert, however, was more than just a swan song for one of rock’s most influential groups; it was a monumental celebration…
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1927’s New York City, a hive of invention, jazz, and burgeoning cultural changes, played host to the premiere of a film that would shake the pillars of the entertainment industry. Released on October 6th, “The Jazz Singer,” headlined by the charismatic Al Jolson, was not just another movie – it was a clarion call announcing…
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With “Aventine,” Agnes Obel crafts hauntingly intimate piano-led compositions of rare precision and emotional depth—each track a self-contained world, rendered in minimalist perfection and captured in audiophile-grade sound.
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In the early 20th century, particularly the 1920s, America was alive with the hum of innovation and the beat of cultural renaissance. At the heart of this dynamic period, two engineers, Edward W. Kellogg and Chester Williams Rice, set out to transform the world of sound.
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Reflecting on how we hear music, this Copper Magazine piece explores selective listening—from favoring lyrics or solos to feeling sound with the whole body—and highlights Evelyn Glennie’s deaf-but-deep approach to truly experiencing music.
