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Having completed a tour in England that featured George Harrison and Eric Clapton as guest guitarists, Delaney & Bonnie and Friends returned to America to help Clapton finish his solo debut and embark on a four-month tour to support the album.
The band, according to member Bobby Whitlock’s autobiography, had already gotten kicked off the Elektra label when it was touring, due to Delaney’s drunken antics with label owner Jac Holzman. Delaney & Bonnie manager Alan Pariser, who was close friends with Harrison, arranged for the group to be the opening act for Blind Faith, aka…
In our last episode, Joe Cocker had just fired the members of his Grease band after recording his newest album, Cocker! His manager, Dee Anthony, was looking forward to returning to the U.S. to promote the highly anticipated album that featured Cocker originals and unreleased Beatles songs.
Somewhere between the release of the album Accept No Substitute in July of 1969 and November of that year, Elton John began working on his second album. After the lackluster debut of Empty Sky, Elton made his mark with his self-titled second album, Elton John, featuring the tune “Your Song,” a beautiful ballad that remains…
Last we heard, producer David Anderle and recording engineer John Haeny had given British producer Glyn Johns a test pressing of Delaney & Bonnie’s new album, Accept No Substitute, which wound up in the hands (and ears) of George Harrison.
In an earlier piece, I spoke about sharing with you, dear reader, a three-part homage to one of the biggest musical influences in my young life in Chicago—Booker T. & the M.G.’s. In Part 1, I touched on the first pair of tunes from the band that grabbed my attention and affected me for the…
A 12-year-old kid is at a local Woolworth’s store on Ashland Avenue on the South Side of Chicago. It’s the early ‘70s, and he’s spending his few allowance dollars on cheap “cut-out” vinyl albums, shelved at the front end of the checkout counter, neatly tiered, four rows high and ten albums deep. That twelve-year-old was…
Blues migrated towards the urban centres, along its way electrifying guitars and gigs, as black musicians fleeing southern racial segregation strived for more economic opportunities and a better life in places like Detroit, Chicago, and New York City.
I was born in the ‘60s, a decade when records and radio waves were in perfect sync. You could hear every kind of music, at any time of day or night; all you had to do was cruise up and down the AM dial. We had a station in Chicago—WVON—that played great urban music. My…