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Paul Bowes offers advice on buying a stereo system. Ignore it at your own risk!
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Robert Schryer closes out his Toronto Audiofest coverage with some final notes and takeaways.
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Chicago’s listening bars offer a new kind of nightlife, where hi-fi sound, curated vinyl, and craft cocktails take center stage. From Charis to Parachute HiFi, each space delivers a distinct, music-first experience.
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Shanling’s new ECZero AKM portable CD player lands in the U.S. via Forte Distribution, blending AKM DAC tech, dual amps, and Bluetooth 5.3 in a sleek, $349 design aimed at serious CD-loving audiophiles.
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EQ Audio Video wowed with two epic setups: a Borresen T5/Aavik system offering visceral, lifelike sound, and a Dolby Atmos home theatre rig with Monitor Audio Cinergy speakers that rivaled the live concert experience.
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Toronto Home of Audiophile demoed a Pass Labs–powered system with Gershman’s Grand Avant Garde speakers, delivering detailed, tactile sound with liquid tone, vivid colour, and supple bass.
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GoldenEar’s new T44 speakers and Moon 371 streaming amp delivered pinpoint imaging and deep soundstage—an impressive showing from a reasonably priced system that easily outperformed expectations at Toronto Audiofest 2025.
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Sonic Artistry’s room fused sonic and visual illusion, with Acora MRC-2 speakers and a Trinity College Dublin backdrop creating jaw-dropping soundstage depth on a Nordost-cabled system.
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Robert Schryer defends audio shows as irreplaceable gatherings for audiophiles, pushing back against claims that video content could ever truly replace the magic of in-person events.
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A journal pulses with ink and intent as a listener records the thousand-hour unraveling of sound.
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Calling it “even better” than past models, Ian Ringstead hails the Hana SL Mk2 MC cartridge for its lush sound, low noise, and flawless tracking—especially impressive paired with his Technics SL1300G and valve phono stage.
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Audiophiles are not freaks, or losers, or whatever negative stereotypes the naysayers want to characterize us by. We’re lucky.
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Howard Milstein takes the Allnic Audio A-2000 Mk3 tube power amplifier out for a test drive and discovers how powerful it is.
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To mark his 50th year in music, Guy Bélanger recorded Postcards from London at Abbey Road’s iconic Studio 2—an audacious dream brought to life by producer Jean Ouimet and a tight-knit Quebecois team.
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Veteran audiophile Robert Schryer reflects on whether the sun has truly set on the hobby, acknowledging generational shifts and rising costs while highlighting a quieter, evolving passion for sound that still runs deep.