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In this first fall installment, writer Rudy Radelic is featuring a comparison, some winners, a major disappointment, and a handful of other notable titles he’s found.
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Our esteemed classical music critic Pierre Dallaire has picked three outstanding Brahms recordings for you to explore.
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Rudy Radelic digs into vintage rock, blues, and jazz, spotlighting reissues with stellar mastering, hard-to-find rarities, and standout titles cherished by collectors.
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The Vinyl Beat digs up notable vinyl nuggets like INXS’s “Kick” 45 RPM reissue, Sheila E’s salsa debut, and Rachel Z’s introspective jazz trio recording.
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Claude Lemaire presents standout jazz LPs from his 12,000-strong vinyl collection, including Thelonious Monk’s “Brilliant Corners” and Charles Mingus’ “The Clown.”
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Despite the generational fade of classic rock, Queen continues to thrive. With Queen Rock Montreal remastered in Dolby Atmos, the band’s epic 1981 performance reaffirms why Freddie Mercury and company still command global reverence.
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The Vinyl Beat is a new column that will dig up notable vinyl nuggets, past and present.
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Welcome to my series Treasures from the Vinyl Vault. In it, I will feature select gems from my approximately 12,000 ever-growing vinyl collection, accumulated over a 45-year period and counting.
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Kamasi Washington’s Fearless Movement is a bold, rhythm-driven opus mixing jazz, funk, soul, and hip-hop—but while its scope dazzles, its sheer scale raises questions about whether intimacy, not grandeur, is his next frontier.
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Pierre Dallaire returns with Part 2 of his musical journey, highlighting five stellar recordings—each a gateway to a different era, from da Milano’s divine lute to Debussy’s impressionistic piano, all chosen to ignite deeper listening.
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Frank Doris interviews Nick Getz, son of sax legend Stan Getz, and Abey Fonn of Impex Records, about the new Getz/Gilberto LP reissue of the bossa nova classic.
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“Not only is this double-LP compilation outstanding in sound, it is also excellent musically and performance-wise—surprisingly so, perhaps, given the poor history of audiophile-oriented releases.”
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Seldom does an LP’s visual presentation rival the artistry of its music. Having seen the orchestra this past weekend at the Maison Symphonique in Montréal, where the album was recorded, I can attest that the quality of the recording matches the live presentation. In fact, the only thing that’s missing from the album is the…
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Pierre recounts how a record theft led him from rock to a lifelong passion for classical music, recommending five era-spanning albums—from Renaissance to Stravinsky—that shaped his journey and still dazzle audiophiles today.
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Copper Magazine’s Frank Doris recalls his first encounter with Genesis’s Selling England by the Pound in 1973 and hails Analogue Productions’ new 45 RPM reissue as the album’s most sonically revealing edition to date.