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From cotton fields in Arkansas to New York’s electrifying jazz clubs, Sister Rosetta Tharpe defied genres and gender roles, blending gospel with rock ’n’ roll and pioneering a sound—and a legacy—that would change music forever.

In this half-hour video covering the highlights of the 2023 Toronto Audiofest, the Audiophile Junkie talks about his favorites exhibitors and what he bought. Check out his YouTube channels for a closer look at the Toronto Audiofest, showcasing nearly all exhibitors, rooms, and gear, along with casual chats with key industry folks.

In the sultry heat of a Southern afternoon, amidst the intoxicating scents of cotton candy and the rural festivities of the Mississippi-Alabama Fair & Dairy Show, a rebellious rhythm began to play. It marked the homecoming of Tupelo’s most illustrious son, the King of Rock ‘n’ Roll, Elvis Presley. The year was 1956, a transformative…

Amidst the kaleidoscope of the 1980s, with its intoxicating beats and larger-than-life music videos, a single photograph emerged that, in its simplicity, said more about a partnership than a thousand words could. It wasn’t set against the backdrop of an opulent stage or amidst the frenzy of adoring fans. Instead, it captured two of music’s…

In the tumultuous world of 1925, Raymond Cooke was born, a spirit destined to echo through the annals of audio engineering. By the time the clouds of World War II gathered, young Cooke found himself thrust into the vast expanse of the Royal Navy. While the sea’s mighty roars and the skies’ thunderous clashes became…

As 1970 unfurled its musical tapestry, icons like Zeppelin, The Stones, and Dylan were laying down tracks that would reverberate through the ages. Yet, amidst the electrifying riffs and beats, there was another star rising on a different stage: Leonard Bernstein. His arena? The tranquil expanses of Tanglewood.

The Dead’s free concert that day was more than just an enthralling musical experience; it was a statement, a beacon of unity in tumultuous times. The band delved straight into a compelling rendition of “Viola Lee Blues,” a piece that spanned over twenty-one minutes, taking the audience on a transcendental journey.

Forget the clichéd rock star tropes. That snake wasn’t just a prop; it was a statement. It was danger, seduction, and a dash of subversion wrapped in scales—kind of like Harry herself.

In 1969, in the concrete bowels of San Quentin State Prison, Johnny Cash raised his middle finger to the lens of photographer Jim Marshall. The image is rebellious, iconic, and transcendent, much like the Man in Black himself. But it’s not just a picture; it’s a complex narrative of America, of its music, its social…

In the kaleidoscopic universe of Las Vegas, where neon lights pierce the desert night and every high note echoes the clink of a jackpot, legends Sammy Davis Jr. and Elvis Presley found a friendship as enduring as their tunes. It all came into focus on July 31, 1969—Elvis’s comeback night at the International Hotel. There,…