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Olivier Meunier-Plante
Olivier is the creative & technical mind behind this website. Beyond assisting with the magazine’s content, his expertise in web development combined with a genuine passion for the web underscores his contribution to PMA. You can contact contact him here.
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In the tumultuous world of 1925, Raymond Cooke was born, a spirit destined to echo through the annals of audio engineering. By the time the clouds of World War II gathered, young Cooke found himself thrust into the vast expanse of the Royal Navy. While the sea’s mighty roars and the skies’ thunderous clashes became
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As 1970 unfurled its musical tapestry, icons like Zeppelin, The Stones, and Dylan were laying down tracks that would reverberate through the ages. Yet, amidst the electrifying riffs and beats, there was another star rising on a different stage: Leonard Bernstein. His arena? The tranquil expanses of Tanglewood.
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The Dead’s free concert that day was more than just an enthralling musical experience; it was a statement, a beacon of unity in tumultuous times. The band delved straight into a compelling rendition of “Viola Lee Blues,” a piece that spanned over twenty-one minutes, taking the audience on a transcendental journey.
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In the early 20th century, particularly the 1920s, America was alive with the hum of innovation and the beat of cultural renaissance. At the heart of this dynamic period, two engineers, Edward W. Kellogg and Chester Williams Rice, set out to transform the world of sound.
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Tired of floor-bound audio? A playful ode to ceiling-mounted speakers, this satirical piece envisions a world where sound rains down from above—literally. With faux features like Auto-Twirl and “Advanced Spiderweb Acoustics,” the author gleefully skewers audiophile excess.
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Forget the clichéd rock star tropes. That snake wasn’t just a prop; it was a statement. It was danger, seduction, and a dash of subversion wrapped in scales—kind of like Harry herself.
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In 1969, in the concrete bowels of San Quentin State Prison, Johnny Cash raised his middle finger to the lens of photographer Jim Marshall. The image is rebellious, iconic, and transcendent, much like the Man in Black himself. But it’s not just a picture; it’s a complex narrative of America, of its music, its social
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In the kaleidoscopic universe of Las Vegas, where neon lights pierce the desert night and every high note echoes the clink of a jackpot, legends Sammy Davis Jr. and Elvis Presley found a friendship as enduring as their tunes. It all came into focus on July 31, 1969—Elvis’s comeback night at the International Hotel. There,…
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On July 13th, 1975, the Roxy Theatre in Los Angeles was electrified by the sounds of Bob Marley & The Wailers as part of their “Natty Dread” tour. Amidst the crowd of fans was a familiar face, George Harrison, the Beatle known for his mastery of the slide guitar. As word reached Marley that Harrison
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Woodstock, already destined to become a legendary event, was teeming with a sea of humanity that had swelled far beyond anyone’s expectations. An anticipated audience of 50,000 had surged to an estimated 400,000, transforming the quiet town of Bethel, New York, into a sprawling, makeshift metropolis. Hordes of young people from across the nation descended
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The stage, lit only by spotlights and the soft glow of amplifiers, became his canvas. From the opening riffs, the audience was entranced. Each note, each chord was not just heard but felt
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Jazz maestro Louis Armstrong’s music resonated across borders, with his tunes reaching even the ancient sands of Egypt. There, beneath the gaze of the Great Sphinx and Pyramids of Giza, a timeless photograph was taken, capturing Armstrong serenading his wife, Lucille. In 2016, The New York Times Store shared this iconic 1961 image marking Armstrong’s
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Acclaimed Dublin singer Sinéad O’Connor, whose death was announced on Tuesday, released 10 studio albums, while her song Nothing Compares 2 U was named the number one world single in 1990 by the Billboard Music Awards. Throughout her music career, she cut a striking figure.
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From swing-era surveys to streaming farms, the Billboard charts have tracked music’s biggest hits—and biggest controversies—for over 80 years, navigating shifts in technology, taste, and transparency with every note.
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In the expansive tapestry of American music, few threads shimmer as brilliantly as Tony Bennett.