As an audiophile and a voracious listener of all kinds of music, Jonson believes that the experience of being immersed in music is often something spiritual. Born and raised in Korea, he cut his teeth on western music mostly through the music of the 80s and the 90s. As of today, names that make his heart beat a little faster include Vladimir Horowitz, John Coltrane, Youn-Sun Nah, Francis Poulenc, Leonard Bernstein, Tannoy, and Magnepan. Jonson also runs a podcast and a YouTube channel about language learning, called SpongeMind.
Read the article in English here, et en français ici. 힌트: 답은 스피커가 아님 어렸을 때 이런 놀이를 자주 하곤 했다. 아이들이 한줄로 선다. 그리고 처음 아이가 옆 아이한테 귀속말로 무슨 얘기를 한다. 그러면 그 아이가 다음 아이한테 귓속말로 같은 말을 전한다. 이런 식으로 마지막 아이한테까지 처음 말을 그대로 전달하는 게 놀이의 목적이다. 물론 이건…
Everything in life moves forward and the way classical music was recorded since the “Golden Age”—the mono and early stereo period—is no exception. How did the landscape change since then, and what does it mean to audio enthusiasts?
I vividly remember the first time I heard a high resolution file. It was a 24/96 download from HDtracks.com of Vivaldi’s Spring played by violinist Anne Akiko Meyers. It sounded amazing. But it got me thinking: was the better sound really due to the hi-res format or, rather, to the quality of the recording itself?…