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Claude Lemaire
Claude Lemaire has a college degree in electronics and has given various lectures on music and audio. Along with some professional DJ’ing, Claude has had a hand in live show recording, mastering, loudspeaker and turntable design, as well as hosted his own weekly disco FM radio show. The proud owner of a ten-thousand plus vinyl record collection, in 2010, Claude launched his music blog Soundevaluations. He has written for EnjoyTheMusic.com, and currently writes for Positive Feedback and Mono and Stereo. You can follow his music articles by visiting https://soundevaluations.blogspot.ca/ .
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Welcome to my series Treasures from the Vinyl Vault. In it, I will feature select gems from my approximately 12,000 ever-growing vinyl collection, accumulated over a 45-year period and counting.
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MoFi’s 45rpm reissue of Jeff Beck’s Truth delivers seismic bass and analogue warmth that outshines many rock classics; released just before Zep’s debut, it remains a blues-rock benchmark for sound and influence.
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MoFi’s remaster of Iron Butterfly’s acid rock landmark “In-A-Gadda-Da-Vida” breathes new life into the 1968 classic, delivering thunderous bass, refined detail, and an intimacy lost in reverb-heavy earlier pressings.
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Welcome to my series Treasures from the Vinyl Vault. In it, I will feature select gems from my approximately 12,000 ever-growing vinyl collection, accumulated over a 45-year period and counting.
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MoFi’s 40th anniversary One-Step reissue of Michael Jackson’s Thriller stuns with unmatched clarity, staging, and vocal presence—so revelatory it feels like a remix, yet it’s the original master unveiled as never before.
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Blue Train gets the Tone Poet treatment, and John Coltrane’s only Blue Note leader session never sounded better—Kevin Gray’s stereo cut dazzles with dynamic finesse, stellar horn imaging, and top-shelf vinyl presentation.
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Despite MoFi’s DSD controversy, Claude Lemaire finds their Eye in the Sky 45 rpm remaster a revelation—eclipsing his Canadian first press with staggering dynamics, transparency, and an analog warmth that challenges purist assumptions.
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Welcome to my series Treasures from the Vinyl Vault. In it, I will feature select gems from my approximately 12,000 ever-growing vinyl collection, accumulated over a 45-year period and counting.
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Welcome to my series Treasures from the Vinyl Vault. In it, I will feature select gems from my approximately 12,000 ever-growing vinyl collection, accumulated over a 45-year period and counting.
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As protests raged and culture shifted in 1968, soul and funk artists like James Brown, The Temptations, and Marvin Gaye redefined Black music with psychedelic grooves, political messages, and genre-breaking experimentation.
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Motown met the Summer of Love in 1967 with “Reflections,” as psychedelic soul emerged—while Sly & the Family Stone’s electrifying debut laid the groundwork for funk, disco, and the future of R&B.
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As Motown icons the Supremes and Temptations battled for chart dominance in 1966–67, psychedelic soul and funk pioneers like Sly Stone and James Brown began reshaping the sound of Black music—with drum breaks, distortion, and fire.
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James Brown’s funk revolution redefined rhythm, shifting focus to the downbeat groove in hits like “Papa’s Got a Brand New Bag.” Meanwhile, Otis Redding, Sam & Dave, and Eddie Floyd shaped soul’s evolution, fueling disco’s dancefloor legacy.
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Donna Summer and Moroder-Bellotte pushed disco’s boundaries with Once Upon a Time (1977), a groundbreaking double concept album. Hits like “MacArthur Park Suite” and Bad Girls cemented her legacy as disco’s enduring queen.
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Donna Summer revolutionized disco with Moroder and Bellotte, blending sensual Eurodisco and electronic beats. Hits like “Love To Love You Baby” and “I Feel Love” shaped dance music and sparked electronic genres.