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Despite loving both analogue and digital, Tom Gibbs affirms LP’s supremacy—yet with DSD 512 and upgraded Audio Art Cables, digital playback is now rivaling tape and vinyl in clarity, nuance, and musical realism.
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Kevin Fielding wraps up his subwoofer integration series by tackling time alignment and five crossover strategies—ultimately finding that running speakers full range with a gentle subwoofer slope yields the most musically satisfying results.
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Record Store Day 2024 spins into action with exclusive releases from Elton John, Frank Zappa, Queen, and the Pixies, as vinyl lovers worldwide celebrate analog culture, indie shops, and community-centered music discovery.
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Once dismissed as a passing fad, surround sound is staging a comeback—with streaming giants offering immersive content and home tech better than ever, it may finally be time to rejoin the multichannel revolution.
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This roundup highlights three budget-priced components—the Sabaj A20a amp, A20D DAC, and Semibreve DA50—that defy expectations with reference-level sound, solid build, and serious value, proving hi-fi excellence doesn’t have to cost a fortune.
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In this follow-up on budget headphone amps, Steven Stone evaluates three sub-$500 Chinese models—including the Aiyima SMSL E600, Topping EH-5, and xDuuo X-20—highlighting performance, upgrade potential, and the high early failure rates he’s experienced.
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Claude Lemaire kicks off his seven-part series Diving into Disco by defending disco’s cultural legitimacy and sonic richness, while tracing its roots in gay liberation and challenging its enduring underappreciation among audiophiles.
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Pylon Audio’s Diamond 25 MkII may resemble its predecessor, but its sonic upgrades are striking. This refined floorstander now offers increased dynamics, clarity, and boldness—without losing its signature warmth and balance—all at a compelling price.
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In the debut of his “Super Budget Components” series, Steven Stone spotlights three Chinese-made audio bargains—a $130 Fosi amp, SoundArtist LS3/5A monitors, and a $250 Rod Rain DAC—that punch far above their price.
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By February 21, 1970, the Jackson 5 were no strangers to the national stage. Just two months earlier, they’d dazzled millions on The Ed Sullivan Show, announcing their arrival as Motown’s freshest sensation. But their appearance on American Bandstand was something else entirely. This wasn’t just about proving they belonged; it was about showing the…
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Cyrus Audio’s Stream-XR streamer impresses with its clean, engaging sound and smart BluOS integration—especially when paired with Neil Young Archives, offering detailed playback that rivals higher-end gear in a fiercely competitive market.
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Reflecting on years of digital audio upgrades, Tom Gibbs details how his setup—centered on Euphony Audio servers and Gustard and Topping DACs—has surpassed early streaming efforts, challenging “bits are bits” dogma with revelations on cables, clocks, and file compression.
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Exploring the audible quirks of vinyl, Mike Harkins examines groove echo, background noise, and tracking artifacts—while emphasizing that even audiophile pressings aren’t immune to defects, surprises, or the charm of analog imperfection.
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Sidewall reflections can make or break a soundstage, but when their delays fall under 10ms, as in this case, treatment is optional. Kevin Fielding favors angled plywood over absorption to maintain openness and spatial realism.
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Taylor Swift’s re-recording of 1989 (Taylor’s Version) isn’t just a chart-topping triumph—it’s a defiant, billion-dollar victory over an industry that tried to control her, solidifying her as pop’s most powerful force.
