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Prices listed in CA$. PureAudioProject speakers are offered through an interesting business model: the company sends you all the speaker parts and you assemble them. It’s a kit. But the speaker is an open-baffle design, so it costs less in parts than a conventional speaker, and since there are less parts, and they “snap” into…
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In this Copper Magazine piece, Paul McGowan argues that specs alone can’t capture what makes music magical—highlighting the emotional pull, holographic soundstage, and personal ritual that define the audiophile experience.
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Pylon Audio’s Diamond 25 MkII may resemble its predecessor, but its sonic upgrades are striking. This refined floorstander now offers increased dynamics, clarity, and boldness—without losing its signature warmth and balance—all at a compelling price.
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In this profile, Alain Gascon shares his audiophile journey—from teenage catalog dreams to a vinyl-focused system built around Totem Winds and McIntosh gear—emphasizing music’s emotional power over technical obsession.
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Building on Part 1, this detailed follow-up compares three subwoofer integration strategies—evaluating bass smoothness, articulation, and timing.
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In the final part of his interview, new Audio Research owner Val Cora outlines bold plans for reviving the iconic brand—promising U.S.-made innovation, design freedom, and a renewed push for excellence, including a special update to the i50.
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Copper Magazine’s Frank Doris recalls his first encounter with Genesis’s Selling England by the Pound in 1973 and hails Analogue Productions’ new 45 RPM reissue as the album’s most sonically revealing edition to date.
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Rhino’s new High Fidelity reissues wow with all-analog mastering by Kevin Gray and deluxe Optimal pressings. Standouts include Jaco Pastorius’ Word of Mouth, Van Morrison’s His Band and the Street Choir, and Herbie Hancock’s mesmerizing Crossings.
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John Bowers’ journey from wartime signalman to founding Bowers & Wilkins charts a life devoted to sonic purity—his relentless pursuit of audio excellence reshaped hi-fi standards and built a legacy still resonating today.
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Exploring the audible quirks of vinyl, Mike Harkins examines groove echo, background noise, and tracking artifacts—while emphasizing that even audiophile pressings aren’t immune to defects, surprises, or the charm of analog imperfection.
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Audiophiles rejoice: the Ear Wax Product Remover promises audio nirvana not through gear, but by fine-tuning your ears—because clean canals make for clearer concertos.
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First impressions can mislead with Magnepan speakers, writes Jonson Lee, who reflects on their lifelike realism, anti-forward presentation, and high-maintenance charm after more than a decade of devoted ownership.
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One of the highlights at this year’s Toronto Audiofest was the launch of the album Of the Bird, Flying, the new release by Montreal band G!ve.
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With 1200 watts of muscle and a vacuum tube soul, PS Audio’s Stellar M1200 monoblocks combine stunning dynamics and bass control with refined neutrality—earning praise as a reference-grade hybrid amp at a surprisingly accessible price.
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Skeptical of audio’s placebo effect, Jonson Lee tested AGD Productions’ class-D Audion amps—disguised as glowing tubes—and found their stunning design inseparable from their sonic magic, both subtly shaping the listening experience.
