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For something a little different this merry season, Tchaikovsky & Saint-Saëns | The Magic of Two Pianos offers a festive and fresh take on holiday concerts.
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MOON by Simaudio’s 371 network player/amplifier—the debut of the new Compass Collection—has landed, packing serious tech and features into one sleek box.
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Rudy Radelic dives into the roots of 12-inch singles, spotlighting Tom Moulton’s remix innovations, promo-only rarities from Earth, Wind & Fire, and Bryan Adams’ chipmunk-voiced debut that he’s tried to forget.
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What could beat hearing Marvel soundtracks on the best home theatre setup? Robert Schryer asks Francis Choinière, who’s conducting them live with an 80-piece orchestra for The Infinity Saga Concert Experience in Montreal.
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Frank Doris offers a soundcheck pro tip and talks about playing on a bigger stage, with the vagaries that come with it.
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Despite the generational fade of classic rock, Queen continues to thrive. With Queen Rock Montreal remastered in Dolby Atmos, the band’s epic 1981 performance reaffirms why Freddie Mercury and company still command global reverence.
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Michael Fremer steps into the role of record producer with Rufus Reid Presents Caelan Cardello, a live, all-analog jazz LP born from a chance performance—and now a top-seller, expertly mastered, pressed, and produced with passion and purpose.
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John Gish’s Garden District home hosts a mind-blowing, museum-worthy high-end audio system featuring 6-foot German speakers, 30,000 LPs, and 20,000 films—making it part private concert hall, part cinema, and all passion project.
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After tensions split Delaney & Bonnie’s band, Bobby Whitlock joined Eric Clapton in forming Derek & the Dominos, playing key roles in both Layla and George Harrison’s All Things Must Pass—before launching a solo career of his own.
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Vincent Bélanger, a fourth-generation cellist and Audio Note UK ambassador, blends elite classical training with audiophile sensibilities, global collaborations, and a deep reverence for accessible, emotionally resonant performance.
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Donna Summer and Moroder-Bellotte pushed disco’s boundaries with Once Upon a Time (1977), a groundbreaking double concept album. Hits like “MacArthur Park Suite” and Bad Girls cemented her legacy as disco’s enduring queen.
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Tracing disco’s roots back to slave songs, chain gangs, and swing countercultures, the article shows how rhythm evolved into a movement — one made possible not by concerts, but by records and multitrack recording.
