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Frank Doris continues to mine his experience accrued over 50 years of playing in bands, offering insight into brand identity, having a set list, and playing music you don’t like for the sake of entertaining the crowd!
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The Yamaha NS-800A rivals speakers three times its price, delivering a luxurious sound, piano-gloss finish, and instrument-like musicality. Built on the same vibration-control principles as Yamaha’s grand pianos, it preserves sonic energy rather than deadening it.
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As we mark the bicentennial anniversary of Ludwig van Beethoven’s Symphony No. 9, imagine the scene: a packed theater in Vienna, the audience on edge, and Beethoven himself, nearly deaf, standing tall on stage. This wasn’t just another symphonic debut; it was the musical equivalent of a revolution. Premiering on May 7, 1824, the Ninth…
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One of the highlights at this year’s Toronto Audiofest was the launch of the album Of the Bird, Flying, the new release by Montreal band G!ve.
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The Toronto Audiofest 2023 had everything you could wish for in an audio show: great gear at all price-points, a communal and jovial atmosphere, overall good to great sound, friendly banter with peers or friends made on the spot, solid visitor traffic but not overcrowded, and plenty of coffee for dudes like me who were…
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Metallica’s 72 Seasons may not reinvent thrash, but it refines it with maturity and muscle. With Greg Fidelman’s production and standout tracks like “Inamorata,” the band delivers their strongest album since Death Magnetic.
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Richard Reed Parry tells Mark Lepage about his folk roots, punk rebellion, and musical evolution. From Arcade Fire’s anthems to solo experimental work, he embraces tradition and innovation, striving to “make beautiful stuff” across diverse musical landscapes.
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Bob Dylan’s 1980s spiritual detour shocked fans with gospel-only sets and preaching. By 1983’s Infidels, he returned to secular music, backed by stellar musicians, showcasing renewed creativity despite mixed critical reception and early digital recording controversies.
