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Initial registration numbers demonstrate the trade show’s international significance.
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Fed up with hype and high prices, this reviewer bought Cambridge Audio’s MXN10 with their own cash—and found a compact streamer that nails neutrality, boasts stellar software, and delivers serious value under £400.
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In a tranquil garden, Master Tekashi guides his student Daichi through the art of sonic balance, likening cables to katanas, DACs to bows, and room acoustics to battlefield strategy—where the path to audio mastery mirrors the samurai’s eternal quest.
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From the alien curves of B&W’s Nautilus to the surreal sculpture of Living Voice’s Vox Olympian, today’s boldest loudspeakers blur the line between high art and hi-fi, where acoustic perfection meets unapologetic eccentricity.
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Caught between honesty and harmony, Guild president Jim Tonne navigates tricky audio evaluations and acoustics advice with wit, a spectrum analyzer, and a firm belief in room treatment—despite the inevitable aesthetic compromises.
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Dr. Poochini leads a howling revolution as dogs take over high-end audio critique, with Paw Ratings dethroning human audiophiles—because golden retrievers do have golden ears.
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Doug Moore dives deep into Zu Audio’s Soul 6, praising its bold, crossover-free design and immersive midrange—while noting some setup quirks and bass limitations that may vary with room and taste.
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In part two of this revealing interview, an ex-moderator shares how Facebook audiophile groups have turned combative, driving out genuine hobbyists while emboldening trolls—yet moments of camaraderie keep him coming back.
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Streaming may rule, but this $2K system—featuring Cambridge’s AXR100 amp and AXC35 CD player, Pro-Ject’s T1 turntable, and Wharfedale Diamond 12.2 speakers—proves that physical media still delivers musical magic with detail, warmth, and soul.
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Tired of floor-bound audio? A playful ode to ceiling-mounted speakers, this satirical piece envisions a world where sound rains down from above—literally. With faux features like Auto-Twirl and “Advanced Spiderweb Acoustics,” the author gleefully skewers audiophile excess.
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John Gish’s Garden District home hosts a mind-blowing, museum-worthy high-end audio system featuring 6-foot German speakers, 30,000 LPs, and 20,000 films—making it part private concert hall, part cinema, and all passion project.
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Welcome to my series Treasures from the Vinyl Vault. In it, I will feature select gems from my approximately 12,000 ever-growing vinyl collection, accumulated over a 45-year period and counting.
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In this eye-opening interview, a longtime moderator of a Quebec audiophile group, details how Facebook communities meant to celebrate hi-fi turned hostile—driven, he says, by bullies, egos, and a toxic fear of honest sharing.
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The second part of this insightful series explores how Aversions, Desires, and Expectations subtly sabotage our music enjoyment—arguing that true listening begins only when we quiet the critical voice in our head.
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Rob Schryer kicks off PMA’s new Killer Audio Products column by spotlighting five standout components—from Silent Angel’s network-enhancing switch to Gustard’s game-changing DAC and master clock—that deliver high-end sonic magic at mid-tier prices.
