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Iron Maiden’s Senjutsu earns an 8/10 from a loyal fan who praises Bruce Dickinson’s vocals and the fresh sound of “The Writing on the Wall,” but criticizes the album’s dragging length, flat production, and familiar formulas.
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As Blur returns with The Ballad of Darren, Mark Lepage highlights their mature, melancholic sound—and wonders if the album’s strength might provoke the ultimate Britpop revenge: an Oasis reunion just to spite them.
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PS Audio’s Octave Records follows up with The Art of Hi-Fi Volume 02: Soundstage, a DSD 256 showcase designed to test speaker setup and capture the illusion of three-dimensional sound, reports The Sound Advocate.
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Metallica’s 72 Seasons may not reinvent thrash, but it refines it with maturity and muscle. With Greg Fidelman’s production and standout tracks like “Inamorata,” the band delivers their strongest album since Death Magnetic.
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From a dreamy Indiana barn to a mythical French serpent-woman, this trio of jazz-influenced albums—by Janiece Jaffe and Monika Herzig, Christine Jensen, and Cécile McLorin Salvant—showcases the vision and vitality women bring to modern jazz.
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Welcome to my series Treasures from the Vinyl Vault. In it, I will feature select gems from my approximately 12,000 ever-growing vinyl collection, accumulated over a 45-year period and counting.
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Audioguy CEO Jung-Hoon Choi champions the traditional Korean genre of sanjo—a hypnotic, rhythmically accelerating solo form—as the ultimate system test and spiritual reset, captured in stunning resolution on his label’s audiophile-grade recordings.
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MoFi’s 45rpm reissue of Jeff Beck’s Truth delivers seismic bass and analogue warmth that outshines many rock classics; released just before Zep’s debut, it remains a blues-rock benchmark for sound and influence.
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MoFi’s remaster of Iron Butterfly’s acid rock landmark “In-A-Gadda-Da-Vida” breathes new life into the 1968 classic, delivering thunderous bass, refined detail, and an intimacy lost in reverb-heavy earlier pressings.
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Welcome to my series Treasures from the Vinyl Vault. In it, I will feature select gems from my approximately 12,000 ever-growing vinyl collection, accumulated over a 45-year period and counting.
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Norah Jones shines on I Dream of Christmas, blending warm production and soulful originals with holiday classics. Her standout single, “Christmas Calling (Jolly Jones),” may just earn a spot among modern seasonal staples.
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MoFi’s 40th anniversary One-Step reissue of Michael Jackson’s Thriller stuns with unmatched clarity, staging, and vocal presence—so revelatory it feels like a remix, yet it’s the original master unveiled as never before.
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Revolver marked a turning point for the Beatles—and for fans like the author—where innocence gave way to innovation. Giles Martin’s 2022 remix reveals the album’s enduring brilliance with stunning clarity and dimension.
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Blue Train gets the Tone Poet treatment, and John Coltrane’s only Blue Note leader session never sounded better—Kevin Gray’s stereo cut dazzles with dynamic finesse, stellar horn imaging, and top-shelf vinyl presentation.
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Despite MoFi’s DSD controversy, Claude Lemaire finds their Eye in the Sky 45 rpm remaster a revelation—eclipsing his Canadian first press with staggering dynamics, transparency, and an analog warmth that challenges purist assumptions.