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Bruno Putzeys calls class-D a “solved problem,” but responses from Peachtree, Orchard Audio, and Bel Canto suggest otherwise—pointing to GaN FETs, digital input topologies, and implementation refinements as the next frontier for sonic gains.
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At Montreal’s Filtronique, Wilson Audio’s relaunch of the WATT/Puppy wowed listeners with its transparency and bold imaging; Bill Peugh revealed why this compact, curvier reboot may become the company’s new best-seller.
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Nick from Sydney blends Aussie-made classics like ME amplification and Serhan Swift Mu2 speakers with Naim digital gear, showing that thoughtful system synergy—and not price—creates holographic sound that’s pure, personal, and meditative.
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A passion project turned masterpiece, the Dayton Wright Hommage electrostatic speaker stunned with its staggering clarity and realism—delivering jaw-dropping sound in every setup it graced, thanks to Jocelyn Jeanson’s fanatical design precision.
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I go every year to the Montreal International Jazz Festival—I love it. But if you don’t like crowds, or you don’t mind them and just like to go to outdoor music festivals in general, might I suggest a visit to Festi Jazz Mont-Tremblant, a smaller, cozier, more laid-back version of its Montreal cousin.
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At Audiophile Experts’ Luxman launch, a preview of the company’s centennial lineup—featuring the NT-07 transport, C-10X preamp, and M-10X amp—delivered vivid, dynamically charged sound that matched their refined design.
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Class-D amps ignite debate as Steven Stone, Eric Neff, and Bruno Putzeys clash over whether the tech now rivals or even surpasses class-A and AB.
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In a visit to Sylvain Pichette’s Gatineau workshop, the obsessive brilliance behind Stable 33.33’s 33.2 MkII turntable—and its synergy with André Thériault’s Black Beauty tonearm—reveals a Canadian analog duo of rare ingenuity.
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At Audiophile Experts, the DALI Epikore 11 stunned with its immense soundstage and visceral bass; paired with top-tier gear, it rekindled the magic first heard at Toronto Audiofest, reports Robert Schryer.
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In this profile, Alain Gascon shares his audiophile journey—from teenage catalog dreams to a vinyl-focused system built around Totem Winds and McIntosh gear—emphasizing music’s emotional power over technical obsession.
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From studio sessions with the Stones to running Toronto’s Executive Stereo, Ed Stone’s journey reveals how deep musical knowledge and audio passion shape everything from gear choices to helping customers discover better sound.
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In the final part of his interview, new Audio Research owner Val Cora outlines bold plans for reviving the iconic brand—promising U.S.-made innovation, design freedom, and a renewed push for excellence, including a special update to the i50.
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Here it is—Issue 1 of PMA Magazine’s flipbook version. I know what you’re thinking: “PMA Magazine comes in a flipbook version?” It does now. And while its launch may come as a surprise to you, the audio elves behind its creation planned its release for months. What took so long? The timing. The elves thought:…
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In one of 2023’s biggest audiophile bombshells, Valerio Cora of Acora Acoustics rescues Audio Research from near-bankruptcy, vowing to preserve its legacy while energizing the iconic brand with support from returning staff and industry goodwill.
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One of the highlights at this year’s Toronto Audiofest was the launch of the album Of the Bird, Flying, the new release by Montreal band G!ve.