A longtime resident of Brooklyn, NY, Robert Baird holds degrees in Creative Writing and Journalism from the University of Arizona in Tucson, AZ. He has spent the past three decades creating vital, appealing content both under his own byline and as editor. Eager to share his experience, Robert teaches music, film, and digital design at CUNY Hostos in the South Bronx, NY. His work has appeared in The Tucson Weekly, Rolling Stone, USA Today, Option, No Depression, Magnet, The Santa Fe New Mexican, Stereophile, Qobuz, and many other publications.
“Sonically, what’s new here is that, compared to the original 2007 CD and LP releases, the sound is now fuller and warmer, with more low-end response and a generally more muscular presentation.”
As an ambitious creator of new musical worlds, visionary saxophonist Kamasi Washington wants to understand and proclaim the power of love. He wants to come to terms with his mortality. He wants to make people dance. And he certainly wants people to stop hating on jazz. Mixing jazz horns with afrofuturist concepts, spiritual transcendence, and…
Of all the reasons that Taylor Swift deserves to be Time magazine’s first ever musician Person of the Year, none are bigger than her smashing victories over misogyny and the music business’s malign way of swindling artists and stealing valuable intellectual property. The particulars of her creative predicament are well known. Once a shy, teenaged…
In jazz, as in most other forms of popular music, it’s women who are bringing the new and much needed energies to the cause of keeping the music relevant and important. Three recent releases […]
Now that LPs are once again the biggest selling form of physical media, industry players large and small are getting into the LP game. Waiting times of nine months or more are now common at LP pressings plants. New artists who are smart about managing their careers routinely produce many limited-edition LPs in various colors.…
To fans of the Pat Metheny Group, he was the quiet, long-haired dude behind racks of keyboards. And while Metheny in his striped shirts and unruly mane was always the frontman, fans often added a crucial “and” to the PMG equation: Pat Metheny and Lyle Mays. Mays was a huge part of the PMG sound.…