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Music and vinyl expert Claude Lemaire highlights essential recordings—and the best pressings to seek out—for your LP collection, indexed by year of release.
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In his new series, music and vinyl expert Claude Lemaire highlights essential recordings—and the best pressings to seek out—for your LP collection, indexed by year of release.
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The hi-fi world gets a wake-up call as this piece slams the disconnect between lavish audio gear and underfunded artists—urging brands to fund music creation, not just polish playback of the same old tracks.
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Sony’s Elcaset promised reel-to-reel fidelity in cassette form but flopped spectacularly, while PlayTape, Tefifon, and MiniDisc joined a graveyard of brilliant but doomed formats, crushed by cheaper, simpler, and more convenient rivals.
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Ten listeners, two DACs, one question: could they hear a difference? Steven Stone’s single-blind test pits a $2150 DAC against a $500 one—with surprising results.
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Hair, the movie, was seminal—here’s why.
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20 years of circus, burlesque, art, music, wrestling, and freakshow mayhem!
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Reviewer Doug Moore finds the Atoll IN300’s warmth, clarity, and punch impressive—and predicts it will make a serious dent in the audiophile world thanks to its smart design and power.
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Save your souls!… Black Sabbath leads the way in this latest history lesson in the roots of hard rock and heavy metal.
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From vet school to vinyl sanctum, one man’s obsession birthed Bliss Acoustics—Ottawa’s home-based haven where gear vanishes and music takes over.
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January 24, 1962, wasn’t just another cold Liverpool morning. It was the day four scruffy lads—John Lennon, Paul McCartney, George Harrison, and Pete Best—put their faith in a well-dressed, fast-talking record store manager named Brian Epstein. With a few strokes of a pen, they signed a management contract that would change the course of music…
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Paris’ jazz kissa-inspired bars like Listener and Bambino blend high-fidelity sound, vinyl culture, and refined design, redefining nightlife for audiophiles.
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On January 3, 1969, The Lulu Show was about as far from Jimi Hendrix’s usual stomping grounds as you could get. The show was a high-profile, family-friendly TV program—clean-cut, conservative, and far removed from the chaotic energy that defined Hendrix’s live shows. The producers of The Lulu Show likely envisioned a performance that would fit…
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Can pop music compete with classical’s sonic precision? Jonson Lee delves into recording techniques that make classical music a benchmark for audiophiles seeking pure sound.
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It was November 4, 1963, and London’s Prince of Wales Theatre was buzzing. The Royal Variety Performance, that stately British showcase, was in full swing. London’s cultural pulse was racing, charged by a new phenomenon: Beatlemania. But inside, the atmosphere felt more upper-crust than counterculture—a space typically reserved for polite applause and tasteful applause for…
