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Mike Vosse helped spark one of rock’s greatest musical intersections: Elton John’s rise in America, Leon Russell’s breakout, and the moment they collided at the Troubadour—fueling a creative surge that would echo for decades.
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Jazz pianist Jean-Michel Pilc, once a devoted audiophile with Linn and Naim gear, now favors simpler setups and live recordings, believing music—not the gear—should move us, whether it’s Mingus or McCartney.
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An Interview with André Perry, legendary record producer and founder of the fabled Le Studio, Part 2
Founder of Le Studio, the iconic, pop-culture defining music studio tucked in the Canadian wilderness, André Perry worked with some of the biggest artists in the biz. Did he have any favourites?
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Fleeing taxes and chaos, the Rolling Stones holed up in a French villa and conjured “Exile on Main St.” — a murky, magnificent sprawl of blues, gospel, and rock’n’roll defiance that still resonates 50 years on.
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George Harrison’s enthusiasm for Delaney & Bonnie’s Accept No Substitute nearly landed the duo on Apple Records—until label politics and Delaney’s double-dealing derailed the deal, sparking industry drama and setting off a ripple through rock history.
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During a visit to The Source AV, Jonson Lee auditions a carefully curated $10K system featuring Sonus Faber, Audio Research, and REL—and discovers a compact setup capable of truly moving musical experiences.
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Motown met the Summer of Love in 1967 with “Reflections,” as psychedelic soul emerged—while Sly & the Family Stone’s electrifying debut laid the groundwork for funk, disco, and the future of R&B.
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Delaney & Bonnie’s fallout with Stax over their debut LP “Home” triggered a musical detour to L.A., where they recorded the fiery “Accept No Substitute” for Elektra—an album so compelling, it captivated George Harrison himself.
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Ivan Doroschuk of Men Without Hats reflects on his synth-pop revival, embracing ‘80s nostalgia and global tours with humility and humor, performing “The Safety Dance” not once but thrice per show—for three generations of fans.
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Joe Cocker’s breakthrough came in 1968 with a soulful, waltz-time cover of “With a Little Help from My Friends,” crafted alongside Chris Stainton and studio ace Jimmy Page—launching a transatlantic ascent capped by Woodstock.
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The Denafrips Pontus II DAC rekindled Mario St-Laurent’s love for digital audio with its smooth, analog-like warmth and emotional depth. After extensive burn-in, it revealed exceptional clarity, imaging, and musicality, effortlessly blending detail with natural sound.
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Booker T. & the M.G.’s timeless grooves from ’62–’74 shine anew on Real Gone Music’s vibrant red and blue vinyl collections, delivering cherished hits and rare singles in pristine sound, a perfect gift for soul lovers and collectors alike.
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The Beatles’ final days remain endlessly debated, with new Let It Be reissues and Peter Jackson’s film offering fresh insights. Despite tensions and break-up rumors, recent releases reveal more joy, creativity, and a deeper look into the band’s last sessions.
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Bob Dylan’s 1980s spiritual detour shocked fans with gospel-only sets and preaching. By 1983’s Infidels, he returned to secular music, backed by stellar musicians, showcasing renewed creativity despite mixed critical reception and early digital recording controversies.
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Discovering Booker T. & the M.G.’s McLemore Avenue as a Beatles-ignorant 12-year-old, Wayne E. Goins recalls how the soul-streaked tribute became a personal classic—long before he realized it echoed Abbey Road note for note.
