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Braving the brisk Montreal weather, Mike Harkins attends the 2022 Montréal Audiofest, where standout systems from Focal, Muraudio, PS Audio, and more share the spotlight with jazz sets, Dolby Atmos demos, and rooftop ducks.
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During a visit to The Source AV, Jonson Lee auditions a carefully curated $10K system featuring Sonus Faber, Audio Research, and REL—and discovers a compact setup capable of truly moving musical experiences.
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Motown met the Summer of Love in 1967 with “Reflections,” as psychedelic soul emerged—while Sly & the Family Stone’s electrifying debut laid the groundwork for funk, disco, and the future of R&B.
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In this revealing article, Jonson Lee explores how volume controls—digital or analog—inevitably compromise sound quality, ultimately concluding that even the best among them can’t compete with the clarity of having none at all.
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Delaney & Bonnie’s fallout with Stax over their debut LP “Home” triggered a musical detour to L.A., where they recorded the fiery “Accept No Substitute” for Elektra—an album so compelling, it captivated George Harrison himself.
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With vinyl booming and CD sales rising for the first time in nearly two decades, the music industry is seeing physical formats claw back relevance—though whether it’s a blip or rebirth remains hotly debated.
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In Part 3, Gilles challenges cable skeptics by arguing that blind tests favor short-term memory and ignore the nuanced, experience-driven perception stored in our long-term auditory memory—where true cable differences reveal themselves.
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Ivan Doroschuk of Men Without Hats reflects on his synth-pop revival, embracing ‘80s nostalgia and global tours with humility and humor, performing “The Safety Dance” not once but thrice per show—for three generations of fans.
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Joe Cocker’s breakthrough came in 1968 with a soulful, waltz-time cover of “With a Little Help from My Friends,” crafted alongside Chris Stainton and studio ace Jimmy Page—launching a transatlantic ascent capped by Woodstock.
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As Motown icons the Supremes and Temptations battled for chart dominance in 1966–67, psychedelic soul and funk pioneers like Sly Stone and James Brown began reshaping the sound of Black music—with drum breaks, distortion, and fire.
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After dismissing high-end audio cables as snake oil, a $900 silver phono cable blew Gilles Laferrière away—revealing clearer detail, richer timbres, and vast soundstage. Key factors? Room acoustics, speaker placement, and clean power made the difference.
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James Brown’s funk revolution redefined rhythm, shifting focus to the downbeat groove in hits like “Papa’s Got a Brand New Bag.” Meanwhile, Otis Redding, Sam & Dave, and Eddie Floyd shaped soul’s evolution, fueling disco’s dancefloor legacy.
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Booker T. & the M.G.’s timeless grooves from ’62–’74 shine anew on Real Gone Music’s vibrant red and blue vinyl collections, delivering cherished hits and rare singles in pristine sound, a perfect gift for soul lovers and collectors alike.
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Donna Summer and Moroder-Bellotte pushed disco’s boundaries with Once Upon a Time (1977), a groundbreaking double concept album. Hits like “MacArthur Park Suite” and Bad Girls cemented her legacy as disco’s enduring queen.
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Donna Summer revolutionized disco with Moroder and Bellotte, blending sensual Eurodisco and electronic beats. Hits like “Love To Love You Baby” and “I Feel Love” shaped dance music and sparked electronic genres.
