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Fleeing taxes and chaos, the Rolling Stones holed up in a French villa and conjured “Exile on Main St.” — a murky, magnificent sprawl of blues, gospel, and rock’n’roll defiance that still resonates 50 years on.
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Three SPDIF cables from AudioQuest, Kimber, and Audience face off—each delivering distinct sonic strengths—while the old-school Auric Illuminator CD treatment surprisingly proves its worth, boosting clarity, ambiance, and realism across multiple discs.
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Markham, Ontario: IsoAcoustics, the Canadian isolation specialists, recently recorded a unique demonstration of their GAIA Isolators with the aim of showcasing its unrivalled ability to improve audio equipment in any environment. The video captures the behind-the-scenes setup for the A/B demonstration and the listeners’ reactions to the stark sonic differences between the audio with and without the attachment…
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It promises to be one of the most endearing moments at this year’s Montreal Audiofest: On Friday, March 25, François Lemay, founder of Tenor Audio and now owner of Lemay Audio, will officially unveil—curtain and all—the Lemay Audio-manufactured Dayton Wright Hommage (French for homage)—a state-of-the-art redesign of the iconic Dayton Wright XG-10 electrostatic speaker—to Michael…
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Jean-François’s McIntosh-powered setup hits a personal sweet spot, where rich bass, vivid timbres, and thoughtful tweaks—from power lines to speaker angles—have ended his upgrade itch and turned listening into a lasting joy.
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Ivan Doroschuk of Men Without Hats reflects on his synth-pop revival, embracing ‘80s nostalgia and global tours with humility and humor, performing “The Safety Dance” not once but thrice per show—for three generations of fans.
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In a candid interview, Metaxas & Sins founder Kostas Metaxas reveals how fashion, reel-to-reel tape, and a DIY ethos shaped his wild, high-end hi-fi designs—blending sonic purity with sculptural flair.
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PMA’s Robert Schryer confesses to abandoning separates for the Grandinote Shinai integrated amp, declaring it the most human-sounding gear he’s owned—and the cornerstone of a system that finally silenced the upgrade itch.
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To showcase how today’s classical recordings can unlock a system’s full potential, Jonson Lee surveys the sonic evolution from flawed late analog to early digital’s brightness, arriving finally at today’s breathtaking 24-bit digital gems.
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As Motown icons the Supremes and Temptations battled for chart dominance in 1966–67, psychedelic soul and funk pioneers like Sly Stone and James Brown began reshaping the sound of Black music—with drum breaks, distortion, and fire.
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Karim Senoussi’s audio system proves that synergy beats price: a vintage Mark Levinson amp, Simaudio Moon Neo 260D, tubed Thöress preamp, and Dunlavy SC V speakers create a natural, immersive sound that captivates listeners without costly cables or room treatment.
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After dismissing high-end audio cables as snake oil, a $900 silver phono cable blew Gilles Laferrière away—revealing clearer detail, richer timbres, and vast soundstage. Key factors? Room acoustics, speaker placement, and clean power made the difference.
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The Denafrips Pontus II DAC rekindled Mario St-Laurent’s love for digital audio with its smooth, analog-like warmth and emotional depth. After extensive burn-in, it revealed exceptional clarity, imaging, and musicality, effortlessly blending detail with natural sound.
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Booker T. & the M.G.’s timeless grooves from ’62–’74 shine anew on Real Gone Music’s vibrant red and blue vinyl collections, delivering cherished hits and rare singles in pristine sound, a perfect gift for soul lovers and collectors alike.
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The Beatles’ final days remain endlessly debated, with new Let It Be reissues and Peter Jackson’s film offering fresh insights. Despite tensions and break-up rumors, recent releases reveal more joy, creativity, and a deeper look into the band’s last sessions.
