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Robert Schryer finds himself unexpectedly swept away by NuPrime’s IDA-9, a sleek, compact powerhouse whose rich, dynamic sound belies its price.
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Claude Lemaire continues his series on records that transformed the pop and rock music landscape, organized by year of release.
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A journal pulses with ink and intent as a listener records the thousand-hour unraveling of sound.
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Chris Baillie finds the Melco S1 network switch so transformative, it pushed his already high-end system into territory he hadn’t thought possible—revealing stunning realism, expanded dynamics, and a truly immersive soundstage.
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Steven Stone details his DIY journey building a dual-Raspberry Pi streamer, ultimately finding its subtle sonic and ergonomic benefits—especially long-term listening ease—surpass even pricier, dropout-prone built-in Ethernet solutions.
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Frank Doris lays bare the gritty reality of gig pay—from $25 farmers’ markets to $250K arena tours—exploring tips, contracts, tribute bands, and the financial tightrope musicians walk to keep the music playing.
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Frank Doris has an alternately exhilarating, relaxing, exhausting, and rewarding weekend playing music at the Montauk Music Festival in upstate New York.
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What could beat hearing Marvel soundtracks on the best home theatre setup? Robert Schryer asks Francis Choinière, who’s conducting them live with an 80-piece orchestra for The Infinity Saga Concert Experience in Montreal.
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Jonson Lee finds this year’s SoCal T.H.E. Show more varied than ever, with standout rooms from Legacy, Audio Note, and Rockport—plus a surprising mix of excellence from Popori, Boenicke, and SVS.
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At Passion Audio’s Burmester launch event, Robert Schryer hears the new 232 amp paired with LampizatOr and Wolf von Langa gear—describing the sound as transparent, dynamic, and musically intoxicating, with Nick Cave sealing the night.
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Frank Doris recounts wild gig disasters—sick performances, broken gear, flaming hair, hostile crowds, and forgotten sets—in a brutally funny look at the mayhem musicians endure onstage.
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Robert Schryer meets René Evans of Saturn Audio, where high-end sound doesn’t mean expensive.
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Writer Rudy Radelic recommends a dozen great-sounding albums to play at audio show exhibits. Exhibitors, are you paying attention?
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Robert Schryer puts DR Acoustics’ Polynice power distributor and its cables to the test, uncovering how their innovative designs tackle noise and improve clarity, detail, and soundstaging.
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Jonson Lee visits three music-listening spaces in Korea where silence is enforced, and the sound system—not the customer—rules. These venues offer a rare escape from choice overload, immersing visitors in pure, communal music appreciation.
