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Paul’s all-Linn 5.0 Katalyst system in Vancouver isn’t just rare—it’s revelatory. From digital streaming breakthroughs to power conditioning wizardry, his scientist’s approach transforms rooms and minds, proving synergy and tweaks matter.
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Despite MoFi’s DSD controversy, Claude Lemaire finds their Eye in the Sky 45 rpm remaster a revelation—eclipsing his Canadian first press with staggering dynamics, transparency, and an analog warmth that challenges purist assumptions.
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After testing 16 interconnects, Jonson Lee concludes that cables over $100 can offer real gains, price doesn’t predict performance, cleaning contacts boosts clarity, and a cable’s sonic character stays consistent across gear.
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In his latest interconnect roundup, the Guru pits Audience, Kimber Kable, and AudioQuest against each other—finding all three excellent, but each with a unique sonic flavor and value proposition worth testing in your own system.
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Jazz pianist Jean-Michel Pilc, once a devoted audiophile with Linn and Naim gear, now favors simpler setups and live recordings, believing music—not the gear—should move us, whether it’s Mingus or McCartney.
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Québec Acoustique’s William Desjardins proves the audiophile flame burns bright in the next generation, curating a $10K system with astonishing synergy, warmth, and realism that outshines setups costing twice as much.
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In Part 4 of this series, Gilles Laferrière defends high-end audio cabling against skeptics, citing top studios and engineers—like Bob Ludwig and Kevin Gray—who rely on premium cables to achieve superior sound quality.
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“No, I have the best system in the world!” #5: Crafting an Audiophile’s Dream in a Split-Level House
In his pursuit of audio nirvana, Serge transformed a living space into a showcase for his Focal Utopia Maestros and a $100K+ setup, crediting his system’s final leap in performance to DR Acoustics power products.
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Look at PS Audio’s new state-of-the-art loudspeaker, the aspen FR30, and I think you’ll agree—it looks impressive. It’s big, full range, elegantly shaped, looks sturdy, comes with planar diaphragms and unique options to adjust the sound for a particular room, and overall gives the impression that it’ll sound spectacular. Most intriguingly to me, and I…
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Jean-François’s McIntosh-powered setup hits a personal sweet spot, where rich bass, vivid timbres, and thoughtful tweaks—from power lines to speaker angles—have ended his upgrade itch and turned listening into a lasting joy.
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Adele’s tearful Vegas cancellation sparked backlash not just for its timing, but for symbolizing spectacle over soul—an irony, given her voice alone could’ve carried a show that ticket holders paid thousands to witness.
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After years of AB tests and blind comparisons, Jonson Lee finds that while 24-bit playback offers little audible advantage over 16-bit, high-res still matters—mainly due to improved recording techniques and mastering quality.
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Blue Note’s Classic Vinyl Reissue Series delivers high-quality 180-gram LPs mastered by Kevin Gray, offering pristine sound from iconic jazz albums like Horace Silver’s 6 Pieces of Silver and Art Blakey’s The Big Beat. Audiophile vinyl is back—but with modern care and legacy.
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Karim Senoussi’s audio system proves that synergy beats price: a vintage Mark Levinson amp, Simaudio Moon Neo 260D, tubed Thöress preamp, and Dunlavy SC V speakers create a natural, immersive sound that captivates listeners without costly cables or room treatment.
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A small bladder can ruin music marathons, but Stadium Pal—a discreet urinal pouch—lets you stay seated through entire Pink Floyd albums or Mahler cycles, preserving sonic immersion and letting your system’s true balance keep you hooked longer.
