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Looking for the perfect gift for the audiophile in your life? Check out our comprehensive 2023 Holiday Gift Guide.
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Skeptical of audio’s placebo effect, Jonson Lee tested AGD Productions’ class-D Audion amps—disguised as glowing tubes—and found their stunning design inseparable from their sonic magic, both subtly shaping the listening experience.
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Prices in CA$. When it comes to audio companies that offer great price-performance value along with cutting-edge technology and style, very few can do it better than Paradigm and Anthem. This year at the Toronto Audiofest, the two companies partnered up to present two rooms: One for music, which included a relatively minimalist 2.1 system that…
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Prices listed in US$. I’m going to get this out of the way: Every time I visit a On a Higher Note exhibit room, I turn into a sap. I get wishy-washy. I can’t help it. There’s something about the systems that proprietor Philip O’Hanlon is able to put together that allows those systems to…
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First things first; I hadn’t expected the Bowers & Wilkins / Classé Audio room to smell as good as it did! A sweet mixture of herbal and fruity scents, perhaps? I can remember only a few rooms I’ve visited at shows that enveloped both my sense of smell and of hearing. The Bowers & Wilkins…
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Prices are listed in CA$. Since DALI released its $150,000/pair flagship Kore loudspeaker over a year ago, I’ve seen it consistently demoed with NAD electronics, to good effect. This match-up always delivered powerful sound, authentic tone, and a huge soundstage. At this show, the Kore was supplanted by the company’s latest model in the series,…
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Caught between honesty and harmony, Guild president Jim Tonne navigates tricky audio evaluations and acoustics advice with wit, a spectrum analyzer, and a firm belief in room treatment—despite the inevitable aesthetic compromises.
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Doug Moore dives deep into Zu Audio’s Soul 6, praising its bold, crossover-free design and immersive midrange—while noting some setup quirks and bass limitations that may vary with room and taste.
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The Dead’s free concert that day was more than just an enthralling musical experience; it was a statement, a beacon of unity in tumultuous times. The band delved straight into a compelling rendition of “Viola Lee Blues,” a piece that spanned over twenty-one minutes, taking the audience on a transcendental journey.
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Reflecting on how we hear music, this Copper Magazine piece explores selective listening—from favoring lyrics or solos to feeling sound with the whole body—and highlights Evelyn Glennie’s deaf-but-deep approach to truly experiencing music.
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New Feature: The Mimi hearing test—Bathys adapts to everyone’s hearing.
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Tired of floor-bound audio? A playful ode to ceiling-mounted speakers, this satirical piece envisions a world where sound rains down from above—literally. With faux features like Auto-Twirl and “Advanced Spiderweb Acoustics,” the author gleefully skewers audiophile excess.
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John Gish’s Garden District home hosts a mind-blowing, museum-worthy high-end audio system featuring 6-foot German speakers, 30,000 LPs, and 20,000 films—making it part private concert hall, part cinema, and all passion project.
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BROADENING OUR HORIZONS We’re excited to announce that PMA Magazine is broadening its horizons! Starting now, PMA will, along with its written content, offer a platform for a diverse range of podcasts. Our first feature is an engaging series hosted by the multi-talented Jay Jay French of Twisted Sister fame. This new feature aligns with…
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As Blur returns with The Ballad of Darren, Mark Lepage highlights their mature, melancholic sound—and wonders if the album’s strength might provoke the ultimate Britpop revenge: an Oasis reunion just to spite them.
