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Celebrating a decade of hi-res streaming, Bluesound’s Node X updates the iconic Node with a THX headphone amp, ESS Sabre DAC, and HDMI eARC—earning high praise for its stellar BluOS interface and sub-£1000 performance.
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Caught between honesty and harmony, Guild president Jim Tonne navigates tricky audio evaluations and acoustics advice with wit, a spectrum analyzer, and a firm belief in room treatment—despite the inevitable aesthetic compromises.
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As 1970 unfurled its musical tapestry, icons like Zeppelin, The Stones, and Dylan were laying down tracks that would reverberate through the ages. Yet, amidst the electrifying riffs and beats, there was another star rising on a different stage: Leonard Bernstein. His arena? The tranquil expanses of Tanglewood.
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In the tumultuous backdrop of 1972, while Nixon, Watergate, and Vietnam dominated headlines, an avant-garde figure from Brixton emerged on American terrain. David Bowie, along with his alter ego Ziggy Stardust, was prepared to ignite the U.S., not with politics but with an unmatched brand of rock ‘n’ roll — a facet of Bowie’s American…
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Doug Moore dives deep into Zu Audio’s Soul 6, praising its bold, crossover-free design and immersive midrange—while noting some setup quirks and bass limitations that may vary with room and taste.
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In part two of this revealing interview, an ex-moderator shares how Facebook audiophile groups have turned combative, driving out genuine hobbyists while emboldening trolls—yet moments of camaraderie keep him coming back.
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Reflecting on how we hear music, this Copper Magazine piece explores selective listening—from favoring lyrics or solos to feeling sound with the whole body—and highlights Evelyn Glennie’s deaf-but-deep approach to truly experiencing music.
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Streaming may rule, but this $2K system—featuring Cambridge’s AXR100 amp and AXC35 CD player, Pro-Ject’s T1 turntable, and Wharfedale Diamond 12.2 speakers—proves that physical media still delivers musical magic with detail, warmth, and soul.
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Tired of floor-bound audio? A playful ode to ceiling-mounted speakers, this satirical piece envisions a world where sound rains down from above—literally. With faux features like Auto-Twirl and “Advanced Spiderweb Acoustics,” the author gleefully skewers audiophile excess.
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Though never chart-toppers, Little Feat’s Sailin’ Shoes and Dixie Chicken—now reissued in deluxe remastered editions—prove that Lowell George’s fearless genre-melding vision still grooves with undiminished charm 50 years on.
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It was September 6, 1970, a day that would go down in rock ‘n’ roll folklore. The scene was set: Germany’s Open Air Love & Peace Festival in Fehmarn, an ambitious attempt to capture the Woodstock magic on European soil. But while the festival bore the weight of its own chaos, from relentless rain to…
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Welcome to my series Treasures from the Vinyl Vault. In it, I will feature select gems from my approximately 12,000 ever-growing vinyl collection, accumulated over a 45-year period and counting.
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Jade Bird sharpens her edge on Different Kinds of Light, weaving rock grit with intimate songwriting, while Greta Van Fleet’s The Battle at Garden’s Gate finds the band maturing into a grander, more cinematic soundscape.
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In the kaleidoscopic universe of Las Vegas, where neon lights pierce the desert night and every high note echoes the clink of a jackpot, legends Sammy Davis Jr. and Elvis Presley found a friendship as enduring as their tunes. It all came into focus on July 31, 1969—Elvis’s comeback night at the International Hotel. There,…
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The music lover’s first step into True Sound.
