Matrix Audio: Enter the Music

From a Xi’an high school garage to a global force, Matrix Audio blends obsessive engineering and minimalist design, with in-house software and hardware that now challenge legacy brands on performance, integration, and value.

Matrix Audio: Enter the Music

From a Xi’an high school garage to a global force, Matrix Audio blends obsessive engineering and minimalist design, with in-house software and hardware that now challenge legacy brands on performance, integration, and value.


Matrix Audio began like most great obsessions: in a high school garage in Xi’an, circa 2001. Three friends with more ambition than tools decided that, yes, they could build their own speakers. Fast-forward two decades and that teenage fever dream has matured into one of the most quietly impressive hi-fi brands on the global stage.

Xi’an, after all, is no ordinary hometown. Once the ancient capital of China and the eastern terminus of the Silk Road, it’s a city where history hums beneath every stone. It’s where emperors built dynasties, and where innovation has always been part of the cultural DNA. So it makes a certain poetic sense that a modern audio company with a taste for precision and timeless design would emerge from such a backdrop. Matrix Audio isn’t just from Xi’an—it channels Xi’an. Engineering meets legacy. Future meets past.

Officially incorporated in 2009 and branded as Matrix Audio in 2013, the company was built on a premise so obvious it’s revolutionary: make digital audio sound incredible without making the user feel like they need an engineering degree to enjoy it. The name “Matrix” refers to the balancing act between sonic precision and aesthetic minimalism—which is a poetic way of saying they care as much about the looks as the guts. But there’s another layer to it: the matrix is also a space of interconnection, of signal flow and structure. Music, too, is a matrix—a grid of time, tone, and texture. “Into The Music” isn’t just a motto. It’s an invitation to enter that grid fully, to live inside the experience.

This is a company that builds its own Linux-based operating system, MA Player, just to ensure every last bit of sound is handled on its own terms. Nothing is off the shelf. Everything is deliberate.

And the hardware? It’s an exercise in excess dressed in understatement. Most models feature ESS Sabre ES9038 PRO DAC chips—basically the Ferrari engines of the digital audio world. Paired with femtosecond clocks (because nanoseconds are apparently too pedestrian), balanced analog circuitry, and immaculate PCB layouts, Matrix devices routinely bench-test better than many Western competitors twice the price. Not that they’d boast about it. That’s your job, after listening.

Let’s talk product lines, because of course there’s a taxonomy:

  • Mini-i Series: The desk-friendly overachievers. Designed for tight spaces but still manage to pack in balanced XLRs, HDMI ARC, and Roon Ready status. The Swiss Army knife for your desktop.
  • X-SABRE Series: No-frills DACs for the minimalist purist. The X-SABRE 3 throws in network streaming because even purists like convenience.
  • Element Series: Where the brand pivoted hard into streaming. The Element X2 Pure ditches the headphone amp entirely, a power move that says “we’re not here to coddle you.”
  • M-Series: Their statement pieces. Streamer, preamp, and stereo amp, each modular and unapologetically high-end. If Apple designed hi-fi, it might look something like this.
  • Digital Interfaces: Like the X-SPDIF 3, which takes your computer’s sorry excuse for audio and turns it into something worth hearing.

On the software side, Matrix’s MA Player is the anti-Bluetooth-speaker experience. It decodes everything from PCM to MQA to native DSD, indexes your NAS like it’s 1999, and integrates with TIDAL Connect, AirPlay 2, and Spotify Connect. The MA Remote app, blessedly, doesn’t look like it was designed by an intern with access to ClipArt.

Their gear is Roon Ready, naturally. Ten devices and counting. Because if you’re buying Matrix, you’re not here for second-best integrations.

As for formats, Matrix was among the first from China to take MQA seriously, offering full unfold and render support when most were still asking what MQA even was. HDMI ARC, DSD256+, user-selectable PCM filters—it’s like someone made a checklist of every audiophile demand and just ticked them all.

Matrix is now sold in over 40 countries, shows up at High End Munich with the poise of a veteran, and walks away with awards from reviewers who are famously hard to impress. Think: “beats Western DACs at half the price” levels of acclaim. Neutral, detailed, built like a tank.

Looking forward, Matrix isn’t just resting on its low-jitter laurels. The M-Series suggests a full-system future, complete with GaN amplification and proprietary clock modules. MA Player updates continue to roll out with the kind of obsessive precision that suggests someone, somewhere, has a whiteboard titled “World Domination, Step 5.”

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Takeaways?

  • They build everything themselves, from chips to apps.
  • The value is almost offensively good.
  • They’re moving from “great DAC company” to “complete hi-fi ecosystem” with an elegance that should make some legacy brands nervous.

In a world where many audio companies talk a big game but deliver warmed-over rebrands, Matrix Audio is the rare entity that does the work, nails the execution, and lets the results speak—or rather, sing—for themselves.

2025 PMA Magazine. All rights reserved.


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