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Robert Schryer defends audio shows as irreplaceable gatherings for audiophiles, pushing back against claims that video content could ever truly replace the magic of in-person events.
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A journal pulses with ink and intent as a listener records the thousand-hour unraveling of sound.
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Calling it “even better” than past models, Ian Ringstead hails the Hana SL Mk2 MC cartridge for its lush sound, low noise, and flawless tracking—especially impressive paired with his Technics SL1300G and valve phono stage.
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Scott Berry’s Computer Audio Design shifts focus from amps and DACs to the hidden culprit in system performance—high-frequency noise—offering Ground Control and USB Filter devices that reviewers credit with sharper imaging and more natural tonality.
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Backstage at Villa Park, Ozzy Osbourne and Yungblud shared a raw exchange—no speeches, no ceremony—just a jeweled cross, a smile, and the unspoken weight of one era quietly giving way to another.
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Chris Baillie finds the Melco S1 network switch so transformative, it pushed his already high-end system into territory he hadn’t thought possible—revealing stunning realism, expanded dynamics, and a truly immersive soundstage.
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Steven Stone details his DIY journey building a dual-Raspberry Pi streamer, ultimately finding its subtle sonic and ergonomic benefits—especially long-term listening ease—surpass even pricier, dropout-prone built-in Ethernet solutions.
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Now branded “Powered by HEOS™,” Denon’s wireless platform marks its 10th year with a major firmware update, evolving from three speakers to a cross-brand audio ecosystem spanning over 50 products.
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Robert Schryer wraps his interview with Dutch & Dutch’s Jannis Dossis and Martijn Mensink, uncovering bold plans for a smaller speaker—and finds the 8c system so good, it might just end his gear-chasing days.
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Frank Doris lays bare the gritty reality of gig pay—from $25 farmers’ markets to $250K arena tours—exploring tips, contracts, tribute bands, and the financial tightrope musicians walk to keep the music playing.
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If music is therapy, then sound systems are psychiatrists. And we believe it’s well overdue for insurance to start covering the gear that lets us sob in Dolby Atmos.
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Audiophiles are not freaks, or losers, or whatever negative stereotypes the naysayers want to characterize us by. We’re lucky.
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In this sun-soaked mini-series, Claude Lemaire highlights summer-defining hits from 1967–68, from The Young Rascals’ Latin-tinged Groovin’ to Otis Redding’s poignant Dock of the Bay and The 5th Dimension’s sky-high debut.
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Howard Milstein takes the Allnic Audio A-2000 Mk3 tube power amplifier out for a test drive and discovers how powerful it is.
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To mark his 50th year in music, Guy Bélanger recorded Postcards from London at Abbey Road’s iconic Studio 2—an audacious dream brought to life by producer Jean Ouimet and a tight-knit Quebecois team.
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Veteran audiophile Robert Schryer reflects on whether the sun has truly set on the hobby, acknowledging generational shifts and rising costs while highlighting a quieter, evolving passion for sound that still runs deep.
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Frank Doris has an alternately exhilarating, relaxing, exhausting, and rewarding weekend playing music at the Montauk Music Festival in upstate New York.
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Is Dutch & Dutch’s 8c speaker system really future-proof? Rob Schryer gets the lowdown in an interview with the company’s Jannis Dossis and Martijn Mensink.
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Before the lute sang courtly ballads, the oud wept across empires—fretless, poetic, and ancient, it journeyed from Ur to Córdoba, carried by legends like Ziryab and crafted with near-religious devotion.
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On July 4, 1996, Tupac turned the House of Blues into a Death Row sprint, packing unreleased fire and all-star cameos into his last concert before everything went dark.