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Amid riverside charm and cold cuts, Robert Schryer tests ArtistCloner’s $11K Mini Ether, revealing near-Ether-level imaging, timbral precision, and emotional pull—plus an unexpected cameo from YouTuber “Dave Listens to HiFi.”
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Mitsubishi’s Diatone D-160, a 1.5-ton subwoofer from the 1980s, defied all logic with a 63-inch carbon-fiber cone and a 400-kilogram field coil, turning every note into a seismic event.
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Doug Moore puts the Schiit Magni Unity headphone amplifier and HIFIMAN Arya Stealth headphones through their paces and comes out with some interesting observations.
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Writer Mike Harkins searches for audio gems at the Lone Star Audio Fest 2025 and digs up a saddlebag full of them.
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Marantz’s AV 20 channels 70 years of audio legacy into a 13.4-channel processor, blending analog soul with modern tech—and a Sound Master’s ear—for cinema that sings.
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Bruno Putzeys concludes his two-part series that explains why active speakers are inherently better than passive ones.
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Stéphane Hautcoeur’s Eon Art blends class-A purity with class-D power in modular, upgradeable amps—rejecting separates to preserve signal integrity and maximum linearity through science, not myth, with their flagship Hadron leading a bold push into the high-end market.
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Unveiled at High End Munich 2025, the Eversolo Play blends DAC, amp, and streaming in one sleek unit, challenging hi-fi excess with minimalist elegance and room-tuned performance.
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What can active speakers do that passive ones can’t? Impulse response, impulse response, impulse response, says Bruno Putzeys. That, and their sheer practicality, makes them the wave of the future.
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What can active speakers do that passive ones can’t? Impulse response, impulse response, impulse response, says Bruno Putzeys. That, and their sheer practicality, makes them the wave of the future.
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The Luxsin X9 crashes the audiophile party with raw power, smart EQ, and swagger—an upstart DAC/amp hybrid that dares to outclass the old guard.
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In Montreal 1969, John and Yoko staged a week-long Bed-In, blending absurdity and activism to birth “Give Peace a Chance”—a protest wrapped in pajamas, incense, and media frenzy.
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Ten listeners, two DACs, one question: could they hear a difference? Steven Stone’s single-blind test pits a $2150 DAC against a $500 one—with surprising results.
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At Passion Audio’s Burmester launch event, Robert Schryer hears the new 232 amp paired with LampizatOr and Wolf von Langa gear—describing the sound as transparent, dynamic, and musically intoxicating, with Nick Cave sealing the night.
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On November 9, 1967, Rolling Stone magazine arrived in the world not with a bang, but with a slightly confused-looking John Lennon in a netted helmet. Dressed as Private Gripweed from the absurdist war film How I Won the War, Lennon graced the cover of what would become the most influential music publication in history—though…