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Luthier Okkyum Kim and reviewer Robert Schryer audition Audio Element’s $10K Krypton system in Pasadena and are stunned by its deep, articulate bass and musical realism—qualities that rival systems many times its price.
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In this second “Cable Guru” entry, the Guru explores mid-priced hi-fi cables from major manufacturers, emphasizing sound character over specs, system synergy, and the artful subjectivity that makes cable evaluation a unique audiophile pursuit.
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Rob Schryer’s new column “The Cable Guru” kicks off with a spirited manifesto from its self-appointed guru, championing the subjective truths of hi-fi cabling, cable break-in, and the sacred art of system synergy.
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For many audiophiles, pop songs are fun but often fall short in sound quality. Classical recordings, with strict rules and faithful production, offer breathtaking realism and absolute standards—making them the ultimate test for serious audio systems.
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The Beatles’ final days remain endlessly debated, with new Let It Be reissues and Peter Jackson’s film offering fresh insights. Despite tensions and break-up rumors, recent releases reveal more joy, creativity, and a deeper look into the band’s last sessions.
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Bob Dylan’s 1980s spiritual detour shocked fans with gospel-only sets and preaching. By 1983’s Infidels, he returned to secular music, backed by stellar musicians, showcasing renewed creativity despite mixed critical reception and early digital recording controversies.
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Once a cable skeptic, Gilles Laferrière confesses a shift in thinking—questioning whether thousands of audiophiles could really be fooled. He explores how luxury pricing, perception, and experience reshape the contentious debate over high-end audio cables.
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MOON by Simaudio’s Dominique Poupart radiates passion and precision as he leads a tour through the company’s Quebec-based factory, where cutting-edge robotics meet meticulous hand-assembly—all in service of sonic excellence.
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Gilles recounts 50 years of audiophile growth, from teenage gear rivalries to embracing once-dismissed tweaks, reminding readers that real learning in hi-fi comes not from specs or forums—but from listening with open ears.
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Veteran music editor Robert Baird reflects on high-end audio’s tribalism, from gear vs. music purists to loudness wars and streaming woes, vowing to spotlight artists who value both sonic integrity and musical impact.
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A recent article by PMA Magazine editor Robert Schryer got me wondering about when I began to think of music and audio — and, specifically, of myself as an audio hobbyist. The answer to “when” can’t be clearly defined by a single moment; it’s scattered across a handful of events that took place over a…
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Paul McGowan opens up about PS Audio’s evolving speaker plans, his friendship with Seth Godin, and a life shaped by draft dodging, vegetarianism, and a passion for building audio gear he’d proudly use himself.
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More than 30 years ago, the tabling of the Brundtland report introduced the concept of sustainable development, of which there are three pillars: economic, social, and environmental. This begat fair trade, at the time considered avant-garde, which instituted a set of policies that spanned the world and forever altered the standards we use to buy…
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Just as listening to bad music is no fun, it’s no fun listening to bad audio, so knowing what to listen for when auditioning a component is important. “Stop, Hey, What’s That Sound?” is a series dedicated to recognizing aspects of good and bad sound reproduction. Once you’ve settled on what features you want your…
