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In this Copper Magazine piece, Paul McGowan argues that specs alone can’t capture what makes music magical—highlighting the emotional pull, holographic soundstage, and personal ritual that define the audiophile experience.
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Claude Lemaire kicks off his seven-part series Diving into Disco by defending disco’s cultural legitimacy and sonic richness, while tracing its roots in gay liberation and challenging its enduring underappreciation among audiophiles.
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As Taylor Swift racks up Grammy wins and global headlines, this piece asks: has the NFL turned her romance with Travis Kelce into peak overexposure—or is the backlash missing the real culprits?
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From childhood 78s on a Nebraska farm to high-end speakers decades later, Lawrence Schenbeck’s lifelong journey with music and gear shows how deep listening—and deeper friendships—make the audiophile pursuit truly meaningful.
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Skeptical of audio’s placebo effect, Jonson Lee tested AGD Productions’ class-D Audion amps—disguised as glowing tubes—and found their stunning design inseparable from their sonic magic, both subtly shaping the listening experience.
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The second part of this insightful series explores how Aversions, Desires, and Expectations subtly sabotage our music enjoyment—arguing that true listening begins only when we quiet the critical voice in our head.
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Welcome to PMA Magazine’s 2½-year anniversary! Okay, so it’s a strange milestone. But it’s also an important one, because it marks a vital turning point in the evolution of the magazine. The first major change is, obviously, its appearance, which was completely overhauled and modernized to look spiffier but also be more enjoyable to navigate…
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Jonson Lee shares three surprising insights from his digital audio journey: your server matters more than your DAC, digital sources are highly vibration-sensitive, and even a reformat can revive sound quality.
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MoFi’s 45rpm reissue of Jeff Beck’s Truth delivers seismic bass and analogue warmth that outshines many rock classics; released just before Zep’s debut, it remains a blues-rock benchmark for sound and influence.
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MoFi’s remaster of Iron Butterfly’s acid rock landmark “In-A-Gadda-Da-Vida” breathes new life into the 1968 classic, delivering thunderous bass, refined detail, and an intimacy lost in reverb-heavy earlier pressings.
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Based on three key insights—room acoustics, system synergy, and installation—Jonson Lee argues that speakers account for just 12.5% of your system’s sound quality, challenging the conventional wisdom and prioritizing smarter investments.
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After tensions split Delaney & Bonnie’s band, Bobby Whitlock joined Eric Clapton in forming Derek & the Dominos, playing key roles in both Layla and George Harrison’s All Things Must Pass—before launching a solo career of his own.
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Norah Jones shines on I Dream of Christmas, blending warm production and soulful originals with holiday classics. Her standout single, “Christmas Calling (Jolly Jones),” may just earn a spot among modern seasonal staples.
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Despite MoFi’s DSD controversy, Claude Lemaire finds their Eye in the Sky 45 rpm remaster a revelation—eclipsing his Canadian first press with staggering dynamics, transparency, and an analog warmth that challenges purist assumptions.
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After cycling through 21 pairs of speakers and 48 amps, Jonson credits his son Michael—not just for heavy lifting, but for helping him fine-tune his sound, deepen their bond, and learn the art of joyful obsession.