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Robert Schryer wraps his interview with Dutch & Dutch’s Jannis Dossis and Martijn Mensink, uncovering bold plans for a smaller speaker—and finds the 8c system so good, it might just end his gear-chasing days.
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Frank Doris lays bare the gritty reality of gig pay—from $25 farmers’ markets to $250K arena tours—exploring tips, contracts, tribute bands, and the financial tightrope musicians walk to keep the music playing.
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Before the lute sang courtly ballads, the oud wept across empires—fretless, poetic, and ancient, it journeyed from Ur to Córdoba, carried by legends like Ziryab and crafted with near-religious devotion.
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The hi-fi world gets a wake-up call as this piece slams the disconnect between lavish audio gear and underfunded artists—urging brands to fund music creation, not just polish playback of the same old tracks.
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Jonson Lee finds this year’s SoCal T.H.E. Show more varied than ever, with standout rooms from Legacy, Audio Note, and Rockport—plus a surprising mix of excellence from Popori, Boenicke, and SVS.
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In the first of two articles, Jeff Weiner tracks how late-’60s rock giants like Clapton, Beck, and Page resurrected early blues legends, transforming Skip James and Robert Johnson into classic rock staples.
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Marantz’s AV 20 channels 70 years of audio legacy into a 13.4-channel processor, blending analog soul with modern tech—and a Sound Master’s ear—for cinema that sings.
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Stéphane Hautcoeur’s Eon Art blends class-A purity with class-D power in modular, upgradeable amps—rejecting separates to preserve signal integrity and maximum linearity through science, not myth, with their flagship Hadron leading a bold push into the high-end market.
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Ten listeners, two DACs, one question: could they hear a difference? Steven Stone’s single-blind test pits a $2150 DAC against a $500 one—with surprising results.
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I set out to pinpoint which signal cables offer the biggest sonic gains, but instead ran into resistance from AudioQuest’s Bill Low and Audience’s John McDonald, who questioned the premise itself and steered the discussion into deeper philosophical territory.
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Writer Rudy Radelic recommends a dozen great-sounding albums to play at audio show exhibits. Exhibitors, are you paying attention?
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Jonson claims he’s off the audio gear merry-go-round. His wife and son don’t believe him, but this time he insists it’s real. After 20 years of perfecting the “gear game” and the “room game,” Jonson is now turning his focus to the elusive “mind game”—the deeply personal aspect of audio shaped by perception and mental…
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Would you drive a Formula 1 racing car on a gravel road? Not if you could help it, right? Because on a gravel road, you know that an F1 car can’t reveal its potential. Yet, this is exactly what many audiophiles do when they play their high-end audio system in an untreated room.
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Claude Lemaire thinks Led Zeppelin is so seminal to hard rock, he chooses them twice for Episode 3. King Crimson also makes the cut.
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From apologizing to loved ones neglected during DAC testing to listening to Dark Side of the Moon on a $20 speaker, this clever guide skewers obsessive habits with wit, reminding readers that “it’s the ear, not the gear.”
