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Robert Schryer finds himself unexpectedly swept away by NuPrime’s IDA-9, a sleek, compact powerhouse whose rich, dynamic sound belies its price.
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Robert Schryer closes out his Toronto Audiofest coverage with some final notes and takeaways.
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Wolf von Langa’s Serendipity+ speakers, paired with Burmester and LampizatOr electronics, delivered transparent, fluid sound with natural tone and texture—proof that high-end performance can come in compact form.
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In the Audio Note room, Vincent Bélanger’s Songe played through an AN system, with cello and violin soaring, in one of the show’s most musically seductive setups.
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Robert Schryer wraps his interview with Dutch & Dutch’s Jannis Dossis and Martijn Mensink, uncovering bold plans for a smaller speaker—and finds the 8c system so good, it might just end his gear-chasing days.
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Howard Milstein takes the Allnic Audio A-2000 Mk3 tube power amplifier out for a test drive and discovers how powerful it is.
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With AXPONA 2025 safely in the past, it’s time to hop back into the listening room with some records.
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Doug Moore puts the Schiit Magni Unity headphone amplifier and HIFIMAN Arya Stealth headphones through their paces and comes out with some interesting observations.
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Marantz’s AV 20 channels 70 years of audio legacy into a 13.4-channel processor, blending analog soul with modern tech—and a Sound Master’s ear—for cinema that sings.
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Writer Rudy Radelic shares his observations at this year’s packed AXPONA.
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Unveiled at High End Munich 2025, the Eversolo Play blends DAC, amp, and streaming in one sleek unit, challenging hi-fi excess with minimalist elegance and room-tuned performance.
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The ultimate Shanling ET3 guide—every feature, flaw, and forum opinion dissected. From CD playback to I²S and upsampling, this is the most complete ET3 breakdown you’ll find anywhere.
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20 years of circus, burlesque, art, music, wrestling, and freakshow mayhem!
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Tom Gibbs falls in love with vacuum tubes from Ray Tubes, comparing their sound to that of much more expensive NOS ones.
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Frank Doris offers tips on what to do and not do once you’ve made it to the big stage.
