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Claude Lemaire continues his series on records that transformed the pop and rock music landscape, organized by year of release.
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Jeff Weiner concludes his series on blues history by way of classic rock, revealing how artists like the Stones, Janis Joplin, and the Allman Brothers revived early blues legends—crowning Willie Dixon as the most-covered songwriter.
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In the first of two articles, Jeff Weiner tracks how late-’60s rock giants like Clapton, Beck, and Page resurrected early blues legends, transforming Skip James and Robert Johnson into classic rock staples.
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Claude Lemaire thinks Led Zeppelin is so seminal to hard rock, he chooses them twice for Episode 3. King Crimson also makes the cut.
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In this episode, writer and self-taught musicologist Claude Lemaire chooses Iron Butterfly, Jeff Beck, and even the Beatles as pioneering heavy rock influencers.
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Welcome to Claude Lemaire’s new series, in which he explores the history of hard rock, heavy rock, and heavy metal—including metal’s many subgenres.
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On January 12, 1969, a seismic shift occurred in the rock music landscape with the U.S. release of Led Zeppelin’s eponymous debut album, followed by its UK release on March 31. This groundbreaking record, recorded in a mere 36 hours at Olympic Studios in London, signified the birth of a new era in hard rock…
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George Harrison championed them, Paul McCartney produced their debut hit, and Apple Records signed them—yet the Iveys (soon to be Badfinger) nearly vanished before they began, victims of internal rifts and corporate reshuffling.
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MoFi’s 45rpm reissue of Jeff Beck’s Truth delivers seismic bass and analogue warmth that outshines many rock classics; released just before Zep’s debut, it remains a blues-rock benchmark for sound and influence.
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MoFi’s remaster of Iron Butterfly’s acid rock landmark “In-A-Gadda-Da-Vida” breathes new life into the 1968 classic, delivering thunderous bass, refined detail, and an intimacy lost in reverb-heavy earlier pressings.
