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Robert Schryer meets René Evans of Saturn Audio, where high-end sound doesn’t mean expensive.
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Tom Gibbs discusses why any self-respecting audiophile should dispense with copper wires for streaming and opt instead for the glorious sound that can be achieved with a fiber optic connection.
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A much-debated topic in popular music is the origin of rock and roll music. Writer Jeff Weiner tries to sort it all out in his new series.
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Frank Doris continues to mine his experience accrued over 50 years of playing in bands, offering insight into brand identity, having a set list, and playing music you don’t like for the sake of entertaining the crowd!
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Mike Harkins explores the rise of DSP in high-end audio, questioning its role in shaping the future as more audiophile brands adopt it to optimize room acoustics and enhance sound reproduction.
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With a new LA show planned at T.H.E. Show’s longtime venue, just days after its Vegas edition, tensions rise as organizers clash over dates—reviving questions about industry cooperation and competitive respect.
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In this interview, Chad Kassem recounts his journey from a halfway house in Kansas to founding Acoustic Sounds, sharing how personal struggles, a passion for blues, and a relentless pursuit of quality helped revive vinyl’s prestige.
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In part two of his candid interview, Chad Kassem recalls the gritty rise of Acoustic Sounds from a record-crammed apartment to an industry leader, detailing the challenges of pressing plants, COVID’s business boom, and forging respectful industry alliances.
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Pylon Audio’s Diamond 25 MkII may resemble its predecessor, but its sonic upgrades are striking. This refined floorstander now offers increased dynamics, clarity, and boldness—without losing its signature warmth and balance—all at a compelling price.
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“Selling England was where, I think, it all really came together for the band.”
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“I’ve downloaded digital files from Qobuz and HD Tracks that were compressed by as much as 80%!”
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The best Rolling Stones album since Lady Gaga was a toddler.
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Mikey talks about his departure from Stereophile, his new tell-all book, and how even he didn’t think vinyl would get this big.
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Audio Research is not only one of the most iconic American brands, it remains vital today and continues to push the limits of what’s possible to achieve in audio technology and sound reproduction.
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Having cut his teeth at age twenty as an assistant engineer on none other than the Beatles’s Abbey Road and Let It Be sessions, Parsons truly rose to prominence by engineering the landmark rock and audiophile favourite, Pink Floyd’s The Dark Side of the Moon.