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Frank Doris lays bare the gritty reality of gig pay—from $25 farmers’ markets to $250K arena tours—exploring tips, contracts, tribute bands, and the financial tightrope musicians walk to keep the music playing.
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Frank Doris offers tips on what to do and not do once you’ve made it to the big stage.
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Frank Doris continues to mine his experience accrued over 50 years of playing in bands, offering insight into brand identity, having a set list, and playing music you don’t like for the sake of entertaining the crowd!
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“I’ve decided to start a new series. Even if you’re not a musician, perhaps it’ll give some insight into the nitty-gritty of the art of music-making, or inform your listening the next time you sit in front of your stereo, or just provide some entertainment and perhaps a life lesson or two.
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Since inducting legends like Chuck Berry and Elvis, the Rock Hall has slid into generation loss. This year’s mixed-bag lineup—Cher, Foreigner, Dave Matthews Band—raises the question: is it still merit, or just fame?
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As Taylor Swift racks up Grammy wins and global headlines, this piece asks: has the NFL turned her romance with Travis Kelce into peak overexposure—or is the backlash missing the real culprits?
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Taylor Swift’s re-recording of 1989 (Taylor’s Version) isn’t just a chart-topping triumph—it’s a defiant, billion-dollar victory over an industry that tried to control her, solidifying her as pop’s most powerful force.
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In Part 2 of Gilles Laferriere’s revealing interview, Michael Fremer reflects on his departure from Stereophile, his triumphant return to The Absolute Sound, and the exciting ventures fueling his passion—from producing records to mentoring young writers—all while reaffirming vinyl’s enduring magic.
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With vinyl booming and CD sales rising for the first time in nearly two decades, the music industry is seeing physical formats claw back relevance—though whether it’s a blip or rebirth remains hotly debated.
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Adele’s tearful Vegas cancellation sparked backlash not just for its timing, but for symbolizing spectacle over soul—an irony, given her voice alone could’ve carried a show that ticket holders paid thousands to witness.
