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Donna Summer and Moroder-Bellotte pushed disco’s boundaries with Once Upon a Time (1977), a groundbreaking double concept album. Hits like “MacArthur Park Suite” and Bad Girls cemented her legacy as disco’s enduring queen.
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Bob Dylan’s 1980s spiritual detour shocked fans with gospel-only sets and preaching. By 1983’s Infidels, he returned to secular music, backed by stellar musicians, showcasing renewed creativity despite mixed critical reception and early digital recording controversies.
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Donna Summer revolutionized disco with Moroder and Bellotte, blending sensual Eurodisco and electronic beats. Hits like “Love To Love You Baby” and “I Feel Love” shaped dance music and sparked electronic genres.
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Discovering Booker T. & the M.G.’s McLemore Avenue as a Beatles-ignorant 12-year-old, Wayne E. Goins recalls how the soul-streaked tribute became a personal classic—long before he realized it echoed Abbey Road note for note.
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From jump blues and Ray Charles’s boundary-breaking “What’d I Say” to the polished hits of Motown and gritty grooves of Stax, this sweeping history traces soul music’s rise—and disco’s roots—in a racially and musically transformative America.
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Lyle Mays, the introspective sonic architect of the Pat Metheny Group, gets a fitting farewell in Eberhard—a sweeping, posthumous masterwork co-produced with his niece, Aubrey Johnson, whose voice helps carry Mays’s final vision home.
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One of the leading music business stories of the 21st century is the continued discovery, sonic restoration, and release of previously unknown recordings—either from the studio or the stage. As the constant advance in digital technology has reclaimed live tapes once thought to be sonically inferior, and refreshed forgotten or leftover studio recordings, record labels,…
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Tracing disco’s roots back to slave songs, chain gangs, and swing countercultures, the article shows how rhythm evolved into a movement — one made possible not by concerts, but by records and multitrack recording.
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Dragged along to T.H.E. Show by chance, Jonson Lee’s wife — a professional pianist — helped crown Heavenly Soundworks’ active speakers as the event’s best, praising their astonishing clarity and bass, all powered by just a $500 streamer.
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With our trip canceled due to the pandemic, what to do at home with the money we saved? Build a basement studio, of course! We have two rooms that were storage spaces, recently emptied, because we had time to clean them! We also made a playroom for the little one. He got the big room,…
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Nearfield listening reveals hidden stereo depth and clarity by minimizing room interference—a technique once limited to studio engineers but now common among desktop audiophiles using compact speakers near their screens.
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The High-Fidelity Scene Recording technology revolutionized how music is produced, played, and experienced. From the perspective of experiencing it, to the old model of attending a live concert was added the option of listening to a recorded performance. In this new model, the listener’s role and situation were profoundly transformed; with recordings, listening has been…
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Paul McGowan opens up about PS Audio’s evolving speaker plans, his friendship with Seth Godin, and a life shaped by draft dodging, vegetarianism, and a passion for building audio gear he’d proudly use himself.
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I am not an audiophile, or an expert on music. I don’t like being labelled. But I do love most musical genres. I fell in love with music when I was nine. “That’s a young age to fall in love for the first time!” I hear some of you saying. It is. But by nine…
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Just as listening to bad music is no fun, it’s no fun listening to bad audio, so knowing what to listen for when auditioning a component is important. “Stop, Hey, What’s That Sound?” is a series dedicated to recognizing aspects of good and bad sound reproduction. Once you’ve settled on what features you want your…