Can pop music compete with classicalโs sonic precision? Jonson Lee delves into recording techniques that make classical music a benchmark for audiophiles seeking pure sound.
Tom Gibbs reveals how Euphonyโs new software and a top-notch DAC took his music system to stunning new heights, with sound so real it feels like a live concert.
The Vinyl Beat digs up notable vinyl nuggets like INXS’s โKickโ 45 RPM reissue, Sheila E’s salsa debut, and Rachel Z’s introspective jazz trio recording.
“On a Mobile Fidelity version of Dire Straitsโ Brothers in Arms, I heard a wealth of scintillating detail and instruments that popped out from the background with shape and aliveness.”
In a world dominated by smartphones and wireless earbuds, itโs easy to forget the trailblazers of portable audio that paved the way. This journey through the history and evolution of portable music players is filled with innovation, cultural shifts, and technological marvels. Letโs dive into the groovy history and evolution of portable music players, a…
Looking for the perfect gift for the audiophile in your life? Check out our comprehensive 2023 Holiday Gift Guide.
Mikey talks about his departure from Stereophile, his new tell-all book, and how even he didnโt think vinyl would get this big.
This yearโs edition boasted 77 exhibits, with over 180 brands on display.
An inexpensive solution designed to extend the optimal performance and life of your gear.
Having cut his teeth at age twenty as an assistant engineer on none other than the Beatles’s Abbey Road and Let It Be sessions, Parsons truly rose to prominence by engineering the landmark rock and audiophile favourite, Pink Floyd’s The Dark Side of the Moon.