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As protests raged and culture shifted in 1968, soul and funk artists like James Brown, The Temptations, and Marvin Gaye redefined Black music with psychedelic grooves, political messages, and genre-breaking experimentation.
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In this revealing article, Jonson Lee explores how volume controls—digital or analog—inevitably compromise sound quality, ultimately concluding that even the best among them can’t compete with the clarity of having none at all.
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PMA’s Robert Schryer confesses to abandoning separates for the Grandinote Shinai integrated amp, declaring it the most human-sounding gear he’s owned—and the cornerstone of a system that finally silenced the upgrade itch.
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Karim Senoussi’s audio system proves that synergy beats price: a vintage Mark Levinson amp, Simaudio Moon Neo 260D, tubed Thöress preamp, and Dunlavy SC V speakers create a natural, immersive sound that captivates listeners without costly cables or room treatment.
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After dismissing high-end audio cables as snake oil, a $900 silver phono cable blew Gilles Laferrière away—revealing clearer detail, richer timbres, and vast soundstage. Key factors? Room acoustics, speaker placement, and clean power made the difference.
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Tracing disco’s roots back to slave songs, chain gangs, and swing countercultures, the article shows how rhythm evolved into a movement — one made possible not by concerts, but by records and multitrack recording.
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A recent article by PMA Magazine editor Robert Schryer got me wondering about when I began to think of music and audio — and, specifically, of myself as an audio hobbyist. The answer to “when” can’t be clearly defined by a single moment; it’s scattered across a handful of events that took place over a…