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Welcome to the November Vinyl Beat! This month at Casa Rudy we’re enjoying a couple of Doobies, being overrun by Rhinos, wearing a Tutu, adding some salsa to life’s recipe, and operating under an assumed identity.
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Frank Zappa was never one to tread lightly, especially when it came to tearing down cultural idols. So when he and the Mothers of Invention decided to parody The Beatles’ iconic Sgt. Pepper’s Lonely Hearts Club Band cover for We’re Only In It For The Money, they went all in, crafting a visual riot that…
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Welcome to Claude Lemaire’s new series, in which he explores the history of hard rock, heavy rock, and heavy metal—including metal’s many subgenres.
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Rudy Radelic digs into vintage rock, blues, and jazz, spotlighting reissues with stellar mastering, hard-to-find rarities, and standout titles cherished by collectors.
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The Vinyl Beat digs up notable vinyl nuggets like INXS’s “Kick” 45 RPM reissue, Sheila E’s salsa debut, and Rachel Z’s introspective jazz trio recording.
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Despite the generational fade of classic rock, Queen continues to thrive. With Queen Rock Montreal remastered in Dolby Atmos, the band’s epic 1981 performance reaffirms why Freddie Mercury and company still command global reverence.
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The Vinyl Beat is a new column that will dig up notable vinyl nuggets, past and present.
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Welcome to my series Treasures from the Vinyl Vault. In it, I will feature select gems from my approximately 12,000 ever-growing vinyl collection, accumulated over a 45-year period and counting.
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Frank Doris interviews Nick Getz, son of sax legend Stan Getz, and Abey Fonn of Impex Records, about the new Getz/Gilberto LP reissue of the bossa nova classic.
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Record Store Day 2024 spins into action with exclusive releases from Elton John, Frank Zappa, Queen, and the Pixies, as vinyl lovers worldwide celebrate analog culture, indie shops, and community-centered music discovery.
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In this interview, Chad Kassem recounts his journey from a halfway house in Kansas to founding Acoustic Sounds, sharing how personal struggles, a passion for blues, and a relentless pursuit of quality helped revive vinyl’s prestige.
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In part two of his candid interview, Chad Kassem recalls the gritty rise of Acoustic Sounds from a record-crammed apartment to an industry leader, detailing the challenges of pressing plants, COVID’s business boom, and forging respectful industry alliances.
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Copper Magazine’s Frank Doris recalls his first encounter with Genesis’s Selling England by the Pound in 1973 and hails Analogue Productions’ new 45 RPM reissue as the album’s most sonically revealing edition to date.
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When Craft Records released a high-end reissue of Thelonious Monk’s Brilliant Corners, author Robert Baird contrasted its audiophile fidelity with the flood of inferior, budget public domain pressings—highlighting a clash between accessibility and sonic integrity.
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Rhino’s new High Fidelity reissues wow with all-analog mastering by Kevin Gray and deluxe Optimal pressings. Standouts include Jaco Pastorius’ Word of Mouth, Van Morrison’s His Band and the Street Choir, and Herbie Hancock’s mesmerizing Crossings.
