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At High End Munich, Norman Varney of A/V RoomService boldly claims most audiophiles hear less than half their system’s potential—blaming neglected acoustics, misguided retailers, and habitual upgrade cycles chasing flaws room treatment could fix.
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Raised on Zeppelin and Deep Purple in India, Priyo’s path to high-end audio took flight in Canada—his journey from vintage gear to a hybrid-tube system is powered by curiosity, experimentation, and sonic transformation.
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After cycling through 21 pairs of speakers and 48 amps, Jonson credits his son Michael—not just for heavy lifting, but for helping him fine-tune his sound, deepen their bond, and learn the art of joyful obsession.
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Three SPDIF cables from AudioQuest, Kimber, and Audience face off—each delivering distinct sonic strengths—while the old-school Auric Illuminator CD treatment surprisingly proves its worth, boosting clarity, ambiance, and realism across multiple discs.
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Motown met the Summer of Love in 1967 with “Reflections,” as psychedelic soul emerged—while Sly & the Family Stone’s electrifying debut laid the groundwork for funk, disco, and the future of R&B.
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Gerard Rejskind argues nothing impacts your system’s sound more than speaker placement, offering unconventional tips—from asymmetry to nearfield setups—to overcome room flaws and coax the best performance from your gear.
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When the CD came out, many vinyl record enthusiasts decried the format. “It sounds mechanical!” They’d protest. “It sounds cold!” Digital sucks became their mantra. A format war ensued. And while most of them today will concede that CD playback sounds leagues better than it used to, many still can’t fully warm up to it.