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Sony’s Elcaset promised reel-to-reel fidelity in cassette form but flopped spectacularly, while PlayTape, Tefifon, and MiniDisc joined a graveyard of brilliant but doomed formats, crushed by cheaper, simpler, and more convenient rivals.
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Marantz’s AV 20 channels 70 years of audio legacy into a 13.4-channel processor, blending analog soul with modern tech—and a Sound Master’s ear—for cinema that sings.
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The ultimate Shanling ET3 guide—every feature, flaw, and forum opinion dissected. From CD playback to I²S and upsampling, this is the most complete ET3 breakdown you’ll find anywhere.
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Shanling’s ET3 CD transport returns to stock at Forté Distribution—this compact powerhouse blends CD playback with high-res streaming and top-tier connectivity.
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Shanling revives CD culture with a full lineup—from ripping-ready CR60 to SACD showstopper SCD1.3—blending vintage charm with cutting-edge audio tech.
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With 1200 watts of muscle and a vacuum tube soul, PS Audio’s Stellar M1200 monoblocks combine stunning dynamics and bass control with refined neutrality—earning praise as a reference-grade hybrid amp at a surprisingly accessible price.
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Trent Suggs reveals how Audio Research’s Certified Pre-Owned program boosts customer loyalty and resale value, while teasing major product launches and reaffirming the company’s uncompromising focus on sonic perfection and sustainability.
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MoFi’s remaster of Iron Butterfly’s acid rock landmark “In-A-Gadda-Da-Vida” breathes new life into the 1968 classic, delivering thunderous bass, refined detail, and an intimacy lost in reverb-heavy earlier pressings.
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Tim Lim from Singapore sets a new distance record for PMA’s “No, I Have the Best System…” column—sharing lessons from 20 years of audio upgrades, regrets, and triumphs in a dedicated hi-fi room inside a high-rise BTO flat.
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To showcase how today’s classical recordings can unlock a system’s full potential, Jonson Lee surveys the sonic evolution from flawed late analog to early digital’s brightness, arriving finally at today’s breathtaking 24-bit digital gems.
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Part 2 of this series dives into classical recording eras, revealing how early mono (’30s–’50s) captures legendary performances despite technical limits, while late ’50s–early ’60s stereo offers warm, rich, and cohesive orchestra sound—especially from RCA, Decca, EMI, and Philips.
