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Emcee Rudy Radelic drops in with overlooked reissues, a posthumous nod to Ozzy, and a deep crate dive into Prince’s 12-inch secrets—where the real gems were never on the A-side.
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Backstage at Villa Park, Ozzy Osbourne and Yungblud shared a raw exchange—no speeches, no ceremony—just a jeweled cross, a smile, and the unspoken weight of one era quietly giving way to another.
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After cheating death for decades, Ozzy Osbourne exits this world the way he lived in it—loud, chaotic, and unforgettable. Mark Lepage traces Ozzy’s transformation from bat-biting wildman to cultural institution.
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Claude Lemaire spotlights three pivotal 1970 albums—by Uriah Heep, Black Sabbath, and Led Zeppelin—that fused prog, blues, and folk into the roaring blueprint for what would become heavy metal.
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Save your souls!… Black Sabbath leads the way in this latest history lesson in the roots of hard rock and heavy metal.
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In this first fall installment, writer Rudy Radelic is featuring a comparison, some winners, a major disappointment, and a handful of other notable titles he’s found.
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Since inducting legends like Chuck Berry and Elvis, the Rock Hall has slid into generation loss. This year’s mixed-bag lineup—Cher, Foreigner, Dave Matthews Band—raises the question: is it still merit, or just fame?
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On a cold February day in 1970, the world was introduced to what would become the cornerstone of heavy metal: Black Sabbath’s self-titled debut album. Born in the industrial heartland of Birmingham, the album’s raw power and dark themes resonated with a generation yearning for something more profound than the prevailing pop and rock sounds.…
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It was January 20, 1982, in Des Moines, Iowa, a chilly winter night that was about to go down in the annals of rock ‘n’ roll history as one of its most shockingly bizarre. There on stage, amidst a sea of headbanging and the electric hum of anticipation, was Ozzy Osbourne, the Prince of Darkness…
