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Tom Gibbs discovers fabulous new power conditioning gear from Vera-Fi Audio and a 300B amp for under $1K he can’t stop listening to.
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Tom Gibbs falls in love with vacuum tubes from Ray Tubes, comparing their sound to that of much more expensive NOS ones.
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Prices listed in CA$. I have fond memories of the Technics brand name. My dad’s very first turntable was the Technics SL-QX300—the first turntable I ever touched. As a kid seeing a record player for the first time, I was mesmerized by this foreign device and intrigued by how it was able to make sound.…
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In this profile, Alain Gascon shares his audiophile journey—from teenage catalog dreams to a vinyl-focused system built around Totem Winds and McIntosh gear—emphasizing music’s emotional power over technical obsession.
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Prices listed in CA$. Some systems sound so effortlessly musical, so capable of preserving the music’s essence and soul, that while listening to them I tell myself that I’d be happy living with such a system for a very long time. Accordingly, I tell myself that this is my type of system, this is the…
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Streaming may rule, but this $2K system—featuring Cambridge’s AXR100 amp and AXC35 CD player, Pro-Ject’s T1 turntable, and Wharfedale Diamond 12.2 speakers—proves that physical media still delivers musical magic with detail, warmth, and soul.
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Tucked away in the countryside, Don Corby’s audio shop thrives on trust, passion, and analog gear. Robert Schryer visits Corby’s Audio, where woodcraft meets tube amps and turntables sing in a forest-framed retreat.
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Two years after downsizing seemed inevitable, Tom Gibbs finds himself retired, mortgage-free, and surrounded by two dream audio rooms—one digital, one analog—where Maggies, KLH Fives, and top-tier gear turn every listen into an event.
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Tim Lim from Singapore sets a new distance record for PMA’s “No, I Have the Best System…” column—sharing lessons from 20 years of audio upgrades, regrets, and triumphs in a dedicated hi-fi room inside a high-rise BTO flat.
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Jazz pianist Jean-Michel Pilc, once a devoted audiophile with Linn and Naim gear, now favors simpler setups and live recordings, believing music—not the gear—should move us, whether it’s Mingus or McCartney.
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Built around both vinyl and digital front-ends, this $50K two-in-one system marries Magnepan LRS panels with Zu Audio Omens—proving great sound isn’t about price tags, but system synergy, savvy tweaks, and soul.
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Jay Jay French recalls funding his first hi-fi with pot money, trashes a Dylan concert, and champions budget gear that “sniffs cocaine like it’s Jaws”—all while slowly, skeptically courting jazz.
