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On November 9, 1967, Rolling Stone magazine arrived in the world not with a bang, but with a slightly confused-looking John Lennon in a netted helmet. Dressed as Private Gripweed from the absurdist war film How I Won the War, Lennon graced the cover of what would become the most influential music publication in history—though…
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Part 2 of Jeff Weiner’s two-part series that tries—and does so convincingly—to answer the enduring question: “Where did rock and roll come from?”
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A devoted audiophile explains to his nephew that marriage, like a sound room, needs clear boundaries and the right match—get it wrong, and everything falls out of tune.
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Frank Doris offers tips on what to do and not do once you’ve made it to the big stage.
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The Vinyl Beat digs into some more reissues that fly under the radar.
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Paul Whitehead, the artist behind Genesis’ album covers, reflects on his iconic work and creative journey. Alter egos, the Borg Symphony, live concert paintings, and his ever-evolving artistry continue to define his innovative spirit.
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The FTC’s 2024 Amplifier Rule aims for transparency but sparks backlash for outdated testing, unrealistic standards, and a loophole echoing pre-1974 marketing chaos.
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November 21, 1955, wasn’t just another Monday. For Elvis Presley, it was the day a $35,000 contract (equivalent to $400,000 in 2024) pulled him out of a regional spotlight and thrust him onto the global stage. RCA Records, sensing that the young singer from Tupelo, Mississippi, was more than just a passing trend, purchased his…
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On a hot August morning in 1958, something extraordinary happened on a Harlem street. Fifty-seven jazz legends gathered on the stoop of 17 East 126th Street, not for a performance, but for a photograph that would become one of the most iconic images in American music history: A Great Day in Harlem. Captured by Art…
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Even Mikey admits that the sound of digital playback has come a long way since its nascent ear-bleeding days. Still, is there an entry-level vinyl setup available today he thinks can beat the sound of even the most expensive digital front-ends?
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Mikey talks about his departure from Stereophile, his new tell-all book, and how even he didn’t think vinyl would get this big.